En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Orchestra of the Age of Enlightenment

Malgré un bel Orchestra of the Age of Enlightenment, le programme Haydn-Beethoven a paru bien monotone voire approximatif sous la direction du célèbre pianiste et chef d'orchestre.

L'Orchestra of the Age of Enlightenment et Mark Padmore proposent au TCE une Passion selon saint Jean de Bach solide et ciselée mais par endroit trop contenue. 

Grand spécialiste du baroque allemand, Masaaki Suzuki est très attentif à son Orchestra of the Age of Enlightenment en petite forme. Robert Murray se distingue dans une distribution de qualité.

L’Orchestra of the Age of Enlightenment et la mezzo-soprano Magdalena Kožená ont proposé mercredi dernier au Théâtre des Champs-Elysées un concert-récital de haut vol, entre Symphonie n° 40 de Mozart et airs classiques.

L’Orchestra of the Age of the Enlightenment fête cette saison son trentième anniversaire. Le concert donné dimanche 14 février au Royal Festival Hall a révélé toute la vitalité de cette formation.

Mark Padmore est aujourd’hui l’un des Évangélistes les plus renommés et expérimentés de la scène internationale. Pour ce concert qu'il dirige aussi il a choisi un effectif de 16 chanteurs pour l'ensemble des parties vocales.

The Orchestra of the Age of Enlightenment dip into the late Romantic period to make the case for more Saint-Saëns in this rip-roaring concert under Russian conductor Maxim Emelyanychev.

Beeindruckendes Solisten-Trio und Instrumentalensemble unter Leitung Steven Devines sorgten für eine in vielerlei Hinsicht passende Premiere in und Rückkehr nach Malta.

Director Francesco Micheli undersells Handel in this Glyndebourne debut, but there's plenty of froth to keep the audience entertained. 

Ob hypnotisch-süffisant oder robust-komisch – Schiff zauberte mit tiefenentspanntem, trockenem Humor Wesentliches und Faszinierendes am Fortepiano und Dirigentenpult hervor.

A moving St John Passion from the OAE, with direction shared between Margaret Faultless and tenor Mark Padmore.

With his impish grin, the Hungarian conductor revels in Mahler's “heavenly” Fourth Symphony as clothed in refreshing period instrument colours. 

Not all expectations were fulfilled in this concert by the Orchestra of the Age of Enlightenment. Isabelle Faust made a strong case for Schumann's Violin Concerto, whereas Antonello Manacorda adopted a paint-stripping approach to both overture and symphony.

The bass truly got his needle working on preparing his latest role, the raging cyclops Polifemo. 

Lush visuals and appealing singing do not quite make up for a somewhat lacklustre revival of Nicholas Hytner's acclaimed 2006 production of Mozart's late comedy.

This Evangelist had just come straight from Golgotha, where he had witnessed events so momentous he was compelled to recount them at once.

The Orchestra of the Age of Enlightenment's beautifully curated selection of Mann-themed music enjoys mixed success. 

The Orchestra of the Age of Enlightenment gets to strut its stuff on the Glyndebourne stage in a concert of Brahms and Beethoven. 

Sometimes streaming a concert unadorned with context or contrast is not enough.

Handel’s Italian cantata Apollo and Daphne is enjoying a Covid wave, perfect as it is for socially-distanced singing.

Norrington was at the forefront of the period instrument revolution in Beethoven performance practice. Here, he returned to the Queen Elizabeth Hall with two major key symphonies. 

A lithe and engaging performance of Handel's festive regular from Polyphony and the Orchestra of the Age of Enlightenment.

An over-directed, but vivid staging demonstrating political rise and fall in Ancient Rome transported to the present day.

Centuries can envelop a musical masterpiece in a cocoon of misconceptions and false interpretations as much they leave their mark in the form of dirt and grime on a painting’s surface.

Fine performances of music associated with Queen Victoria, with a royal novelty thrown in to complete a programme marked by commitment and vigour. 

Robert Carsen's riotous production of Rinaldo returns to the Sussex Downs, a schoolboy fantasy colliding crusading knights with St Trinian's bad girls. 

André Barbe and Renaud Doucet's Magic Flute is ideal entertainment for a fizz-filled summer night.

Elgar, Strauss y el Sibelius más épico son el repertorio elegido por Ibermúsica para cerrar su Serie Barbieri de la mano de Thierry Fischer.

A classy and charming adventure through Gilbert & Sullivan with the OAE and John Wilson .

Sellars und Rattle schaffen einen Raum und Klang, der Bach mit seiner Deutung einer der bekanntesten Erzählungen der Welt lebendig werden lässt.

Challenging and vivid Bach in the first UK showing of Peter Sellars' staging of Bach's great liturgical masterpiece.

Mozart's Symphony no. 40 gets the chop, split into four movements interspersed with arias sung by Czech mezzo Magdalena Kožená. 

It was unfair to pair the exquisite madrigals and songs of Barbara Strozzi with a weighty piece by Monteverdi.

Marin Alsop and the Orchestra of the Age of Enlightenment lead a searing account of Brahms' German Requiem and Vaughan Williams. 

Drama, Spaß und Intensität beim Beethovenfest Bonn mit dem Orchestra of the Age of Enlightenment und Adam Fischer.

Barrie Kosky's punchy, visually exhilarating take on Saul, with Iestyn Davies as a sublime David, makes for a powerful evening of drama at Glyndebourne.

Sir András Schiff and the OAE serve up three delectable dishes created by the irrespressible and inimitable Papa Haydn.

Interviewed at the time of this production's first outing, McVicar declared that “Entertainment is not a dirty word”. His Giulio Cesare remains a hugely entertaining opera production.

The Orchestra of the Age of Enlightenment resurrected with 1926 silent film of Strauss' Viennese comedy – with the lost ending pieced together – and gave a commendable performance of the reduced score.

Sir Roger Norrington's all-Mozart feast was a joyous evening dedicated solely to playing as the composer and his audience would have recognised it. His affable introduction and the OAE's superb playing made a splendid evening.

A brooding and melancholy presentation of Bach’s masterpiece from the Orchestra of the Age of Enlightenment and Mark Padmore. 

The Orchestra of the Age of Enlightenment stalked the “Corridors of Power” in Prague and Esterházy for a fabulous evening of Classical drama. 

In her first collaboration with the OAE, Nicola Benedetti brought exquisite tone – and a new cadenza – to Beethoven's Violin Concerto. 

Suffering, forgiveness, and natural brass in a brand new dramatic oratorio

A strong cast led by Anna Stéphany's Sesto made the most of the last opportunity to hear Glyndebourne's production of Mozart's final opera.

A performance of Handel's oratorio Israel in Egypt performed by the Orchestra and Choir of the Age of the Enlightenment with William Christie conducting.

A grimly dark setting for Mozart's final opera, Sesto and Tito haunted by childhood memories. 

Dieses Tanzprogramm bot durchgehend launige Unterhaltung: von prunkvoll bis leicht, spritzig und rasant verzauberten Ensemble und Dirigent die Essener Philharmonie.