En direct, A la demande, En streaming: Rechercher des critiques de musique classique, opéra et ballet | Steven Isserlis

Ambiance particulière à l'Auditorium de Lyon où en plein conflit social à Radio France s'est tenu un concert de l'Orchestre Philharmonique de Radio France avec Philippe Herreweghe.

Le violoncelliste anglais Steven Isserlis a donné un récital devant un nombreux public à la Stadtkirche de Thoune, en Suisse, en septembre dernier, dans le cadre des "Semaines Bach".

An thoroughly entertaining evening of a very high level of musicianship from Steven Isserlis and friends at Wigmore Hall. 

Much more than an accompanist, Denk was the rock on which the success of such a demanding programme was built.

Virtuoso makes the case for late Schumann with triumphant performance of the cello concerto

Mit Steven Isserlis und Nicolas Hodges zeigt die Britten Sinfonia in Amsterdam ein modernes und leichtfüßiges Konzertprogramm.

Uncertain Britten from Dausgaard and the RPO, but intense and passionate Elgar from Isserlis, and powerfully engaging Rachmaninov featuring exceptional woodwind playing from the RPO.

There was depth and intensity from Steven Isserlis and Alexander Melnikov in this intriguing programme of Russian cello sonatas from old hands and new brooms.

Violinist Joshua Bell and cellist Steven Isserlis came together with three other players to showcase the composer’s chamber music. 

Die langsame Einleitung des Finales gefiel mit ausgezeichneter Koordination in den beschleunigenden Pizzicati, das Hornthema – Brahms' Geburtstagsgruß an Clara Schumann – sehr schön herausgearbeitet.

Ádám Fischer and the Orchestra of the Age of Enlightenment gave a thrilling account of Beethoven's Seventh, and there was much to admire in Steven Isserlis' intelligent reading of Hadyn's Cello Concerto no. 1.

Schumann and Wagner were twinned in a programme focusing on works written in 1850 with impressvie results. 

Isserlis brachte seine ganze Leidenschaft in den Solopart ein, und auch die Arbeit von Dirigent und Orchester war ausgezeichnet, überzeugend und geschlossen. Gar eine Spitzenleistung?

Vladimir Jurowski and the LPO cut an unusual slice of Russian music, with energetic performances of five works from four composers and Steven Isserlis outstanding in Prokofiev's Cello Concerto.

Evocative new works by Adès and Coll were performed thrillingly and provocatively by the Britten Sinfonia as they brought fizz and clarity to Beethoven's eighth and Prokofiev's "Classical" Symphony.

Steven Isserlis bescherte dem Tonhalle-Publikum musikalische Momente unsäglichen Glücks.

 This 19th century romantic programme promised much, with familiar and rare works by Beethoven, Brahms, Dvořák and Schumann. Could the great orchestra and soloists meet our high expectations?

The Bournemouth Symphony Orchestra returned once again to the Colston Hall to perform three very different works. Steven Isserlis headlined the evening with a fantastic rendition of Shostakovich’s Cello Concerto no. 1.

Presenting a cello—piano recital of mostly Gallic works spiced up with a contemporary British composition might appear counter-intuitive to most musicians. Not so to Steven Isserlis, who performed an unusual, challenging, inspiring and highly satisfying concert with pianist Connie Shih in Sydney on Monday night.

Stunning Smetana and Dvořák made for a gripping end to a fine concert.

Joshua Bell and other musical heavyweights fail to impress in an evening of Czech chamber works well-known and otherwise.

Zurich’s Tonhalle audience enjoys a triple-bill programme of fine polyphonic music under the baton of Dutch conductor Ton Koopman.

As part of the Festival Hall’s Sunday matinee series, John Wilson programmed three inspirational works by Bax, Walton and Vaughan Williams. 

Mit einem Programm von kritisch-ernst bis herzerfrischend begeisterte das das Münchner Kammerorchester im Prinzregententheater unter dem Motto „Kindheit“ und fand dafür in Steven Isserlis einen kongenialen musikalischen Wegbegleiter.

Music in the shadow of war - Musik im Schatten des Krieges. Wie kunstvoll Angst und Schrecken auf das Schaffen unterschiedlicher Komponisten Einfluss nahmen, zeigten Steven Isserlis & Friends im Großen Saal der Stiftung Mozarteum an Werken von Debussy, Fauré, Strawinsky, Zoltan Kodály und Edward Elgar. 

Steven Isserlis' passionate and improvisatory reading of Dvořák’s Cello Concerto served as the saving grace for the otherwise lacklustre programme.

Sinuous and seductive, wily and beguiling, Scheherazade can prove a handful for many conductors. Do you try to tame her capricious moods or succumb to her will? Kirill Karabits allowed Clio Gould and the Royal Philharmonic Orchestra to relate the tale at their own pace. 

The Australian Chamber Orchestra is undoubtedly one of the nation’s strongest classical music “brands”, although trying to pin down the forces that make up this protean ensemble is difficult.

Red, white and blue bunting, with matching lighting, adorned the balconies of Cheltenham Town Hall, setting a patriotic scene for a concert of music from the year that World War I ended. Television presenter Julia Somerville opened the evening sat at a vintage newsdesk with her own careful research, for which she can be highly commended.

The concert opened with BBC newsreader Julia Somerville, summarising news from the year 1915 at an old-fashioned broadcasting desk complete with microphone. It was informative, and set the scene for this recital, one in a series of ‘time capsule’ concerts, solely featuring music composed in 1915 – including two of Debussy’s last chamber pieces.

The night had a programme of three soloists, three pieces and three significant composers in music history – Haydn, Mozart and Beethoven. The concept of the concert was to display a span of music from the high Classical era to the early Romantic, where each of the composers overlap in style through three generations.

Bread, filling, bread. Overture, concerto, symphony. Despite flirtations with open sandwiches, club sandwiches and two-symphony programmes, it seems that in both cases most people stick to tradition. But not the Philharmonia and András Schiff: last night’s programme began with Mendelssohn’s brooding Hebrides Overture, followed by Brahms’ Fourth Symphony.