En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Helmut Deutsch

Dans des lieder de Gustav Mahler et Richard Strauss, les deux chanteurs se sont montrés complices, quitte à faire disparaître la part de tristesse et de mélancolie propre à cet univers poétique.

Piotr Beczała et Helmut Deutsch ont offert un récital genevois oscillant entre lied et effusion lyrique : voix superbe, piano royal mais lyrisme parfois excessif.

Soutenus par l’irréprochable Helmut Deutsch, l'Italienisches liederbuch de Jonas Kaufmann et Diana Damrau babillait, roucoulait, allégeant considérablement le style au demeurant sophistiqué d’Hugo Wolf.

Diana Damrau, Jonas Kaufmann and Helmut Deutsch's European tour reaches Berlin with a heart-on-sleeve programme of Lieder by Strauss and Mahler. 

In New York's Park Avenue Armory, Claus Guth imagines Schubert's final song collection set in a military hospital, Jonas Kaufmann as one of its soldiers with a story to tell. 

Diana Damrau und Helmut Deutsch gelang mit ihrem Festspiel-Liederabend in der Bayerischen Staatsoper ein Liederabend der Extraklasse, der neben Schubert und Richard Strauss auch Werke von Rachmaninow bot.

Recitals of Russian song don't have to be suffocated with doom and gloom. Neither do they have to be built upon the works of Tchaikovsky and Rachmaninov.

Lyric tenor Mauro Peter recently returned to the renowned Schubert festival to sing the demanding song cycle that many consider to be the pinnacle of Lied.

Brahms’ only song cycle, Die schöne Magelone, gets star treatment from baritone Michael Volle, pianist Helmut Deutsch and narrator Thomas Quasthoff at the Doelen in Rotterdam.

Jonas Kaufmann, German singer extraordinaire, may not be fully human. His exquisite chocolatey tenor, coupled with his extraordinary command of diction, tone and emotion, lend him an other-worldly air, whether performing opera or singing lieder. This man can do no wrong, as was witnessed Tuesday night at his Berlin Philharmonic performance of Schubert’s intense song cycle Winterreise.

The evening began on a fun note: Juliane Banse’s voice rang out in a pre-recorded message, reminding the audience that as far as she knew, cell phones and classical music did not generally mix. After a community chuckle, the audience applauded Banse, Bo Skovhus and Helmut Deutsch onto the stage, and then settled back into its seats for an evening of Hugo Wolf’s Italienisches Liederbuch.

Those who attended Jonas Kaufmann’s Vienna Wagner debut and were wondering why his Parsifal was beautiful but rather underwhelming in volume, were given the answer on the stage of the Konzerthaus two days later, when he announced himself as “still ill after a severe cold”.

Last week I was struck with the thought of how so many wonderful things get overlooked. I went to a concert at King's Place - the beautiful new building housing The Guardian Newspaper offices located on the edge of the Regent's Canal at King's Cross.