En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Antonio Di Matteo

Falstaff très réussi à l'Archevêché d'Aix-en-Provence, pour notre plus grand plaisir : une véritable leçon de joie dans un monde où, nous dit-on, tout n'est que farce.

Pour les fêtes, l'Opéra de Toulon présente une nouvelle production décevante de la Zauberflöte de Mozart. 

The controversial artist stages his first opera in Rome, with strong musical performances under dynamic Ukrainian conductor Oksana Lyniv. 

La producción de la Staatsoper Berlin de Falstaff se presenta en Les Arts con un elenco bien armado y en la que orquesta y escena contribuyen al fluir de la diversión.

Livermore's staging implies two different storylines – do we only see the result of Don Giovanni's hallucinations?

As the culmination of Muti's Italian Opera Academy in Tokyo, the maestro conducted a model performance of selected excerpts from Rigoletto in the main hall of Tokyo Bunka Kaikan.

Madama Butterfly se presenta en Gran Teatre del Liceu en la producción de Leiser y Caurier en una velada con cambios en el reparto que Jorge de León y María Teresa Leva resolvieron por todo lo alto.

The Magic Flute's roots in popular theatre come through most strongly throughout Vick's production, which sparkles with a wealth of witty detail. But treatment of the work's socio-political undercurrents doesn't work nearly as well.

The director presents the story clearly enough, but apart from that, there is not much going for this production.

A dark minimalist inspiration for Vincent Boussard’s co-production of the Boston version of Un ballo in maschera, returning to the Gran Teatre del Liceu after 16 years.

In this staging of Verdi’s  masterpiece, the director reminds us that the ominous epilogue springs from its short prelude.

A long awaited debut for an opera which revealed itself as a Romantic masterpiece.