En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Lucas Meachem

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Paris

15 nov. 2022

Carmen selon Bieito à l'Opéra de Paris : l'âge sans les rides

Par Erwan Gentric

Toulouse

Des Noces entre cocasserie et orthodoxie, la domination invisible de la femme

Par Arnaud Saura-Ziegelmeyer, 15 avril 2016

La mise en scène de Marco Arturo Marelli et Enrico De Feo se veut fondamentalement ancrée dans le contexte historique de la création de l’œuvre mozartienne.

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Toulouse

15 avril 2016

Des Noces entre cocasserie et orthodoxie, la domination invisible de la femme

Par Arnaud Saura-Ziegelmeyer

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Milan

World premiere success for Francesco Filidei’s Il nome della rosa at La Scala

Par Laura Servidei, 27 avril 2025

A great cast and an enjoyable score seal the success of a new opera based on Umberto Eco's classic historical murder mystery, The Name of the Rose.

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Milan

27 avril 2025

World premiere success for Filidei’s Il nome della rosa at La Scala

Par Laura Servidei

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Barcelona

Madama Butterfly revolotea de nuevo por el Liceu: Sonya Yoncheva y Paolo Bortolameolli, triunfales ante el público barcelonés

Par Maria Sánchez, 09 décembre 2024

Por cuarta vez, la producción de Moshe Leiser y Patrice Caurier vuelve a llenar el patio de butacas del Liceu, ante un estreno de protagonismo tradicionalista.

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Barcelona

09 déc. 2024

Sonya Yoncheva y Paolo Bortolameolli triunfan en el Liceu

Par Maria Sánchez

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Valencia

Les Arts presenta un Trovatore hermoso, imaginativo y potente

Par Daniel Martínez Babiloni, 08 décembre 2024

Àlex Ollé disecciona Il trovatore con pericia cinematográfica, bien acompañado por un experimentado Maurizio Benini y un formidable elenco.

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Valencia

08 déc. 2024

Les Arts presenta un Trovatore hermoso, imaginativo y potente

Par Daniel Martínez Babiloni

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Madrid

Butterfly en el Real: una revisión fallida

Par Juan José Freijo, 30 juin 2024

Capitaneada por una poderosa Saioa Hernández, la poducción de Damiano Michieletto busca una revisión crítica pero acaba perdida en la superficialidad estética.

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Madrid

30 juin 2024

Butterfly en el Real: una revisión fallida

Par Juan José Freijo

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All about Asmik: Grigorian debuts at the Met in Madama Butterfly

Par Kevin W Ng, 30 avril 2024

Asmik Grigorian's astonishing acting and subtle vocalism make for a promising Met debut in this revival of Anthony Minghella's lacquered staging.

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New York

30 avril 2024

All about Asmik: Grigorian debuts at the Met in Madama Butterfly

Par Kevin W Ng

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Los Angeles

Kasper Holten’s powerful, hi-tech Don Giovanni arrives at LA Opera

Par Laurence Vittes, 23 septembre 2023

Lucas Meachem’s portrayal suggests a paraphrase of what another Hollywood Don Juan, Errol Flynn in 1949, said to his Leporello in excusing his escapades. “My dear friend, there’s a little bit of Don Giovanni in every man, and since I am Don Giovanni, there must be more of it in me!”

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Los Angeles

23 sept. 2023

Kasper Holten’s powerful, hi-tech Don Giovanni arrives at LA Opera

Par Laurence Vittes

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Guilty pleasures: Yoncheva and Beczała star in a new Fedora at the Met

Par Kevin W Ng, 04 janvier 2023

There are plenty of vocal thrills in Sir David McVicar's new production of Giordano's revenge thriller at the Metropolitan Opera.

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New York

04 janv. 2023

Guilty pleasures: Yoncheva stars in a new Fedora at the Met

Par Kevin W Ng

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A subtly revised Madama Butterfly returns to the Covent Garden stage

Par Mark Pullinger, 14 juin 2022

Moshe Leiser and Patrice Caurier’s production has undergone a year of expert scrutiny before this well-sung revival.

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Londres

14 juin 2022

A subtly revised Madama Butterfly returns to the Covent Garden stage

Par Mark Pullinger

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Milan

House of Sin: Olivier Py's Thaïs not a production to set pulses racing in Milan

Par Mark Pullinger, 22 février 2022

Olivier Py's new production at La Scala is inspired by art depicting the Temptation of St Anthony, but turns out to be disappointingly tame.

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Milan

22 févr. 2022

Olivier Py's Thaïs doesn't set pulses racing in Milan

Par Mark Pullinger

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Madrid

Delicias navideñas: La bohème retorna al Teatro Real

Par Juan José Freijo, 12 décembre 2021

El Teatro Real nos trae una producción para todos los públicos, acompañada de un excelente reparto: unos cantantes de primera línea que construyen un plantel sin mácula.

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Madrid

12 déc. 2021

Delicias navideñas: La bohème retorna al Teatro Real

Par Juan José Freijo

Washington

Venera Gimadieva leads a moving Traviata in DC

Par Ako Imamura, 21 octobre 2018

A strong new Traviata from Washington National Opera with the welcome house debut of Venera Gimadieva as a fabulous Violetta.

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Washington

21 oct. 2018

Venera Gimadieva leads a moving Traviata in DC

Par Ako Imamura

Prague

A sparkling season finale from PKF – Prague Philharmonia

Par Frank Kuznik, 27 juin 2018

Tragedy turns to joy in an evening laden with expectations and emotion.

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Prague

27 juin 2018

A sparkling season finale from PKF – Prague Philharmonia

Par Frank Kuznik

Saint Paul

The Minnesota Opera stages Thaïs, a bright star in Massenet’s galaxy of women

Par Phillip Nones, 20 mai 2018

In a highly effective stage presentation, the Minnesota Opera tells Jules Massenet’s story of two personalities whose spiritual journeys are like two ships passing in the night.

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Saint Paul

20 mai 2018

Minnesota Opera's Thaïs: a bright star in Massenet’s galaxy of women

Par Phillip Nones

The Met's Bohème: As if it were new

Par Robert Levine, 21 février 2018

A terrific cast in the Metropolitan Opera's revival of La bohème... “near the top of a lifetime of Bohèmes” for our reviewer.

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New York

21 févr. 2018

The Met's Bohème: As if it were new

Par Robert Levine

Angel Blue impresses in her Met debut in an enthralling Bohème

Par Vishnu Bachani, 06 octobre 2017

A revival of Franco Zeffirelli’s 1981 production was graced by an impressive case, including the Met debut of soprano Angel Blue.

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New York

06 oct. 2017

Angel Blue impresses in her Met debut in an enthralling Bohème

Par Vishnu Bachani

El Escorial

Unas bodas sin postín: Le nozze di Figaro en El Escorial

Par Juan José Freijo, 22 juillet 2017

La directora Yi-Chen Lin fue, junto con Simón Orfila, la mayor baza para levantar esta producción que ha ofrecido el Festival de Verano de El Escorial.

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El Escorial

22 juil. 2017

Unas bodas sin postín: Le nozze di Figaro en El Escorial

Par Juan José Freijo

Chicago

Massive set overshadows the Lyric Opera's Les Troyens

Par Dan Wang, 13 novembre 2016

This production, directed by Tim Albery and with sets and costumes by Tobias Hoheisel, boasts more than one megastar.

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Chicago

13 nov. 2016

Massive set overshadows the Lyric Opera's Les Troyens

Par Dan Wang

San Francisco

Comedy and cruelty in Don Pasquale at San Francisco Opera

Par Ilana Walder-Biesanz, 28 septembre 2016

Four star singers shine in Pelly's glamorous production of Don Pasquale, which brings out both the lightness and the darkness of the opera.

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San Francisco

28 sept. 2016

Comedy and cruelty in Don Pasquale

Par Ilana Walder-Biesanz

Oslo

Diary of a teenage girl: Rossini's The Barber of Seville delights in Oslo

Par Aksel Tollåli, 22 août 2015

François de Carpentries’ Oslo production of The Barber of Seville is back for its fourth revival. The singing ranges from the uninteresting to the outright excellent, but the production can still provide a thoroughly entertaining evening at the opera.

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Oslo

22 août 2015

Diary of a teenage girl: Barber in Oslo

Par Aksel Tollåli

A vocally strong send off for Copley's La bohème

Par David Karlin, 23 mai 2015

Joseph Calleja and Anna Netrebko show off their vocal qualities, leading a star cast above an uninspiring orchestral performance in John Copley's Royal Opera production of La bohème in what is to be its last season.

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Londres

23 mai 2015

A vocally strong send off for Copley's La bohème

Par David Karlin

Darkly intense Cavalleria rusticana and cluttered Pagliacci at the Met

Par Ako Imamura, 14 avril 2015

The Met's new production of Cav and Pag boasted strong musical performance, but its production, despite some interesting ideas, was not completely successful.

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New York

14 avril 2015

Darkly intense Cav and cluttered Pag

Par Ako Imamura

Los Angeles

The Ghosts of Versailles a triumph at LA Opera

Par Matthew Richard Martinez, 07 février 2015

A triumph for Los Angeles Opera's new production of John Corigliano's The Ghosts of Versailles.

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Los Angeles

07 févr. 2015

The Ghosts of Versailles a triumph at LA Opera

Par Matthew Richard Martinez

Slapstick fun and stylish singing in the Royal Opera’s revival of Il barbiere di Siviglia

Par Mark Pullinger, 19 septembre 2014

Elder led a performance that twinkled with Rossinian wit, while Serena Malfi left you clamouring for a swift return to Bow Street.

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Londres

19 sept. 2014

A stylish trip to the Barber

Par Mark Pullinger

San Francisco

New Barber comes to San Francisco Opera

Par Jeffery S. McMillan, 13 novembre 2013

The final production of the San Francisco Opera’s fall season was a new staging of Rossini’s Il Barbiere di Siviglia, advertised everywhere as The Barber of Seville.

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San Francisco

13 nov. 2013

New Barber comes to San Francisco Opera

Par Jeffery S. McMillan

Chicago

Netrebko and Calleja in Chicago's La Bohème

Par Kristina Powers, 09 mars 2013

This past Saturday night at the Lyric Opera of Chicago, opera superstars Anna Netrebko and Joseph Calleja successfully transformed an otherwise ordinary, four-star La Bohème at the Lyric into an extraordinary, five-star experience.

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Chicago

09 mars 2013

Netrebko and Calleja in Chicago's La Bohème

Par Kristina Powers

Chicago

La Bohème at Lyric Opera of Chicago

Par Dan Wang, 21 janvier 2013

On Monday night – and, one might guess from the way the opera crowd gripped their collars as they swept into the Civic Opera House, the coldest night in Chicago this winter – a new La Bohème opened at the Lyric (it’s on loan from the San Francisco opera).

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Chicago

21 janv. 2013

La Bohème at Lyric Opera of Chicago

Par Dan Wang

Figaro's wedding makes perfect comedy

Par David Karlin, 11 février 2012

There's no such thing as a perfect comic opera, and I know it's wrong to describe any work of art as perfect. But seeing Mozart and da Ponte's Le Nozze di Figaro last night, I found this a difficult principle to accept: this opera is about as close as you can get.Many operas have a slew of memorable tunes; many have opportunities for singers to show off their qualities.

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