En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Les Maîtres chanteurs de Nuremberg

Entre l'imaginaire de Pedro Calderon, celui de Lewis Caroll ou encore de Jonathan Swift, cette nouvelle production signée Stefan Herheim invite à la réflexion sur la frontière entre folie et sommeil, illusion et réalité, amour et raison.

Philippe Herreweghe dirigeait l’Orchestre des Champs-Élysées au Théâtre du même nom dans les Kindertotenlieder de Mahler, chantés par Ann Hallenberg, et la Symphonie No. 4 de Brahms. Une soirée pleine de musicalité, parfois surprenante, toujours cohérente.

Michael Volle und Wolfgang Koch führen eine triumphale Neuinszenierung von Keith Warner an.

Nach 30 Jahren präsentiert die Oper Frankfurt mit ihren neuen Meistersingern wieder eine beeindruckende Ensemble-Leistung, die szenisch jedoch auf der Strecke bleibt.

Das Hessische Staatstheater Wiesbaden feiert die Wiederaufnahme seiner Meistersinger mit einer Inszenierung, die aktueller denn je ist und auch unangenehme Fragen aufwirft.

Set in a 1930s music school, Sergio Morabito, Jossi Wieler and Anna Viebrick's new production of Die Meistersinger von Nürnberg at Deutsche Oper Berlin has some inspirational ideas but they often get in the way of the music.

A cast comprised of the world’s leading Wagnerians, under the baton of Sir Antonio Pappano, deserve better than Otto Schenk’s outdated and cartoonish production. 

David Pountneys Meistersinger enttäuschen mit einer an Geschichtsverständnis mangelnden und trägen Inszenierung, die aber immerhin stimmliche Glanzmomente liefert.

Ungewöhnliche Bilder und außergewöhnliche Rollengestaltung durch Michael Volle finden auch in diesem Jahr frenetische Zustimmung.

Kosky’s production manages to maintain all hallmarks of a 16th-century fairy tale, while juxtaposing them with questions of deep human, political and artistic problems. Regietheater at its best.

Das Bayerische Staatsorchester unter Kirill Petrenko bereitet mit Wagners Meistersingern einen musikalisch denkwürdigen Abend.

There's little to like in Andrea Moses' production, but a fine cast and glorious playing and conducting make for an enthralling performance of Wagner's grand comedy.  

Las dotes interpretativas de Bryn Terfel salvan un recital en el que la música no fue la protagonista.

Having offered a strong feminist reading of Wagner's Ring, could Kasper Holten do the same again for Die Meistersinger? Opera Australia's co-production had moments of excellence, but ultimately left the viewer with more questions than answers

Michael Volle and Klaus Florian Vogt demonstrate that they are indeed master singers in Munich, despite adversity, in a revival of David Bösch's contemporary production.

Aa fitting tribute to the 20th anniversary of State Opera of South Australia’s ongoing romance with the music of Richard Wagner.

The label “most opera directors” does *not* apply to Barrie Kosky, who makes his Bayreuth debut with a Meistersinger that pulls no punches.

Daniele Gatti is the winner of the night, managing to draw an astounding outcome from a far from ideal cast.

Holten's masonic lodge setting of Meistersinger gets a lot right but is occasionally uneven; Terfel and Hughes Jones are constantly good to listen to.

“Honour your masters!” Sachs instructs Walther in the final scene. Wagner's spirit was honoured well as Glyndebourne's festival opened, but did the song contest necessarily crown the right winner?  

Die Bayerische Staatsoper hat Richard Wagners Die Meistersinger von Nürnberg unter großen Staraufgebot als Sängerfest inszeniert und auf eine ideenschwangere Inszenierung verzichtet

This performance marked Sir Mark Elder’s debut with the company and, beginning with the overture, he offered his individual interpretation of the score. He had an enormous range of dynamics and his tempi varied widely with the emotional values of each scene.

Staatsoper Berlin opens its season with a strong new production of Die Meistersinger von Nürnberg that pays homage to the past and at the same time points to the future.

With ENO having been in the news for all the wrong reasons last week,  it needed Richard Jones' The Mastersingers of Nuremberg to be a great production. Lit up by a towering performance by Iain Paterson, it is.

James Levine led a solid and at times excellent performance of Die Meistersinger von Nürnberg in Otto Schenk's traditional production that somehow lacked sparkle and excitement.

German tenor Klaus Florian Vogt gave a delightful recital of Wagner, Mozart and operatta, aided by excellent playing by Staatskapelle Weimer.

The new Netherlands Opera performance of Richard Wagner’s only comic opera Die Meistersinger von Nürnberg was an absolute success. Spanning a daunting four-and-a-half hours, the evening kept us wanting more rather than searching for the clock.

Few things could unite such a large group of people as the Hallé’s Meistersinger did tonight. Some 515 performers, drawn from three orchestras and five choirs, gathered to present highlights from the first two acts of Wagner’s opera and the third act in full.

On Friday, a new co-production of Die Meistersinger von Nürnberg opened at the Lyric. The only comedy among Wagner’s mature music dramas, its sound is very much like that of the better-known tragedies – brassy, overfull, with a core of strings teetering at vibrato’s edge.

The classical world came off lightly in the recent New Year Honours list, with the Royal Opera House’s knighted Antonio Pappano the only winner. He has much to celebrate, more so after directing last night’s concert performance of Wagner’s Die Meistersinger von Nürnberg with authoritative ease and good cheer, supported by a fine array of soloists.