En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Concerto pour violon no. 4 en ré majeur, K218

Au violon dans Mozart et à la baguette dans les Tableaux d'une exposition, le premier chef invité du Belgian National Orchestra a mené une belle « Symphonic Hour » devant une salle comble.

Le violoniste-chef a témoigné d'une belle complicité avec la phalange alsacienne dans l'intégrale des cinq concertos mozartiens.

Au Concertgebouw de Bruges, l’Orchestre du Konzerthaus de Berlin livre une interprétation directe et peu spirituelle de la Symphonie n° 3 de Bruckner. Le Concerto pour violon n° 4 de Mozart est plus convaincant.

Herbert Blomstedt returns to the Philharmonia for Mahler's great symphony of farewell. 

Singapore Symphony Artist-in-Residence Chloe Chua's Mozart delights once more in a delicious programme which includes Debussy and Bizet.

Kavakos’ restless approach was haunting, and during the cadenza he pared back his sound till it was nearly transparent, stopping breaths as we all leaned in. 

La Swiss Orchestra acompañó elegantemente a la solista Alina Pogostkina en el Concierto núm. 5 de Mozart, interpretaron además Tree Talk de Winkelman y la Séptima de Beethoven.

Ulysses Kay's Pietà provided an opportunity to reflect on beauty and the soul of a nation.

El violinista y director francés David Grimal presentó su reveladora concepción de los conciertos de Mozart junto a la Sinfónica de Galicia en formato reducido.

The Real Orquesta Sinfónica de Sevilla in a compelling performance of Mozart's overture to Don Giovanni and Strauss's Don Juan, with soloist Francesca Dego bringing to life Mozart’s Violin Concerto no. 4 in D major.

As the last stop of their five-city international tour, the Hong Kong Philharmonic Orchestra made its debut in the Sydney Opera House.

Teodor Currentzis, bad boy of early music, appeared at the Konzerthaus Berlin with Patricia Kopatchinskaja and MusicAeterna for a performance that turned it up to 11.

Beethoven und Mozart stehen in der Kirche von Saanen unter Hochspannung.

A mesmerising harmony on stage made a lasting impression in one of Andris Nelsons's last Birmingham concerts.

The impression left by the closing moments of the Mahler and the silence that followed will remain in the memory of this reviewer for some time to come.

Maxim Vengerov and the Polish Chamber Orchestra's concert at Symphony Hall, Birmingham, turned out to be a concert of three halves, thanks to the substantial encores of Saint-Saëns.

John Cage's unusual approach to composition is somewhat infamous. Thanks to his piano work 4'33" he's been firmly placed on the musical map as something of an oddball, and while that particular work may take his eccentric style to the extreme, the methods underlying his other works are equally intriguing.

Friday night’s performance by the RTÉ National Symphony Orchestra was not just in the National Concert Hall: it was also recorded live for RTÉ Lyric FM. Despite the additional pressure of a national audience, the orchestra performed to their much-acclaimed high standard.