En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Sonate pour piano et violon no. 8 en sol majeur, Op.30 no. 3

De passage à Paris au cours d'une petite tournée européenne, le duo éblouit dans Beethoven, Prokofiev et Franck.

Le duo donnait la seconde moitié de leur intégrale des sonates pour violon et piano de Beethoven. Un récital éblouissant qui a pris des allures de leçon de style beethovénien.

From Beethoven's “Ghost” Piano Trio to Schumann’s song cycle, Frauenliebe und -leben, an eclectic programme at the Martha Argerich Festival. 

Frank Peter Zimmermann und Martin Helmchen brillieren in Beethovens letzten drei Violinsonaten.

James Ehnes and Andrew Armstrong conclude their exploration of the ten Beethoven violin sonatas.

The duo shines in sunny Beethoven, cool Prokofiev and over-ripe Franck.

Martha Argerich hadn't played Chopin's Third Piano Sonata in public for at least 25 years... so this performance at the Laeiszhalle Hamburg came as a huge surprise.

Leonidas Kavakos y Enrico Pace sumergieron al público en la creación camerística de Beethoven con las tres últimas sonatas para violín y piano que este compuso.

From the moment Ehnes trilled the G major Op.96 into existence, he and Armstrong achieved the musical transparency that results from using fortepianos with leather hammers and gut strings, and only with great care and commitment when using modern instruments.

The Winspear Opera House in Dallas hosted violinist Itzhak Perlman for the penultimate performance on this season’s recital series, performing sonatas by Beethoven, Franck and Debussy. 

Capturing the feistiness and humour of these sonatas perfectly, Catherine Leonard and Hugh Tinney give a revealing and outstanding performance of three Beethoven Violin Sonatas. 

With musicians of this caliber, it is the soul of the music that matters not the mathematics, and Martha Argerich and Gidon Kremer were nothing if not soulmates in this Istanbul recital.