En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Jules César en Egypte (Giulio Cesare in Egitto), HWV 17: Piangerò la sorte mia

Teodor Currenzis al frente de musicaAeterna proyectó un continuum oportunamente hilado que reveló un equilibrio estructural y una tensión envolvente que concluyó en un festivo éxtasis.

La magia envolvió un recital en el que Sondra Radvanovsky fusionó su monumental talento vocal con sus experiencias vitales en interpretaciones sinceramente profundas.

Joyce DiDonato and Craig Terry present a wide-ranging exploration of isolation and reunion, from Baroque to jazz.

Mit Telemann, Purcell und Händel gestaltete die Capella Augustina ein fein abgestimmtes Wechselbad der Gefühle; ein genüsslicher Abendsegen ohne Regen.

The Opernhaus Zurich offers a first-rate Baroque concert within the mini festival “Finale” to mark the end of the unfortunate 2019-20 season. 

Carolyn Sampson returns joyfully to the Halle Handel Festival, accompanied by trumpeter Neil Brough and the King's Consort under Robert King.

Local soprano Elīna Šimkus was a fascinating combination of Farinelli and Emma Kirkby.

In an operatic head-to-head, Handel would emerge triumphant for most Baroque buffs, yet Milanese soprano Roberta Invernizzi presented an excellent case for the Red Priest in a dazzling Wigmore Hall recital with La Risonanza.

Young Russian soprano Julia Novikova performed twice at the Northern Lights Festival in Tromsø, the capital of northern Norway, this past week, treating the attentive and devoted audiences to a diverse set of songs.

It has been five years since mezzo Joyce DiDonato last sang in Amsterdam. In those five years, she won an Emmy Award, headed the cast of countless productions at the Met and Covent Garden, and has been recognized as one of the greatest opera singers of our time by the press and aficionados alike.

Picture a warm May evening, walking the narrow, silent, cool streets of the ancient capital of Malta, then sitting amongst a magnificent collection of 17th- and 18th-century art with a promise of secrets!This was the setting for a concert – no, in fact, a spectacular – held on Friday 10 May at the Cathedral Museum, Mdina.

When on Sunday afternoon Joyce DiDonato came onstage at Carnegie Hall, the savvy New York audience gave her a truly royal reception by welcoming her with a long ovation. Such a reaction from the audience was hardly surprising.

It was a touching moment when an overwhelmed Joyce DiDonato re-entered the stage after her fourth encore and covered her face with her hands for a few moments, not sure what to do in response to the unceasing applause.