Ein Youngster ganz groß: Jan Lisiecki brilliert mit den Warschauer Philharmonikern in Essen

Warsaw Philharmonic celebrates the 100th anniversary of Polish independence with performances of great local composers – Lutoslawski, Szymanowski and Szabelski – and Debussy’s La Mer for good measure.

Given the spate of visually distracting, if not irksome productions which seem to blight the opera world these days, there is something to be said for concert performances.

The Warsaw Philharmonic Choir and Orchestra offered a program of Szymanowski’s Stabat Mater and Beethoven’s Ninth Symphony. Their performance at Cadogan Hall had outstanding moments but overall felt unremarkable.

Surprisingly, this was the Warsaw Philharmonic’s first visit to the Proms, invited as part of this year’s focus on Polish music. About time too, one might say, and particularly so with it being both Lutosławski’s centenary year (and almost Panufnik’s too, shy by a year), and this the farewell concert of outgoing Artistic Director of twelve years, Antoni Wit.

This concert by Poland’s national orchestra, the Warsaw Philharmonic, attracted a near-capacity audience which had in it a fair sprinkling of members of the local Polish community, judging from overheard conversations and some shouts of “Jeszcze raz!” (“More!”) at the end.

Dans un programme conceptuel sous-titré « Prélude aux Préludes », le pianiste canadien a déçu, notamment dans des Préludes op. 28 de Chopin plus qu'approximatifs.