Carmen

Ce listing n'est plus d'actualité

Royal Academy of Music: Susie Sainsbury TheatreMarylebone Rd, Londres, Greater London, NW1 5HT, Royaume-uni

Dates/horaires selon le fuseau horaire de London

Programme

Livret de Henri Meilhac, Ludovic Halévy

Artistes

Royal Academy Opera
Christopher White	Direction
Harry Fehr	Mise en scène
Yannis Thavoris	Décors, Costumes
Jake Wiltshire	Lumières
Royal Academy of Music Symphony Orchestra
Royal Academy of Music Chorus
Matt Powell	Vidéaste
Victoria Newlyn	Movement director
Zixin Tang	Mezzo-soprano	Carmen	nov. 18, 20
Charlotte Clapperton	Mezzo-soprano	Carmen	nov. 19, 21
Konstantinos Akritides	Ténor	Don José	nov. 18, 20
Woogyeom Kim	Ténor	Don José	nov. 19, 21
Grace Hope-Gill	Soprano	Micaëla	nov. 18, 20
Madeleine Perring	Soprano	Micaëla	nov. 19, 21
Tom Butler	Baryton	Escamillo	nov. 18, 20
Harrison Robb	Baryton	Escamillo	nov. 19, 21
Fionn Ó hAlmhain	Basse	Zuniga	nov. 18, 20
Theodore McAlindon	Basse	Zuniga	nov. 19, 21
Caroline Blair	Soprano	Frasquita	nov. 18, 20
Abigail Sinclair	Soprano	Frasquita	nov. 19, 21
Alexandria Moon	Soprano	Mercédès	nov. 18
Amy Porter	Mezzo-soprano	Mercédès	nov. 19, 20, 21
Yihui Wang	Ténor	Le Remendado	nov. 18, 20
Joseph Hancock	Ténor	Le Remendado	nov. 19, 21
Oliver Heuzenroeder	Baryton	Le Dancaïre	nov. 18, 20
Joel Robson	Baryton	Le Dancaïre	nov. 19, 21
Edward Daly	Baryton	Moralès	nov. 18, 20
Alexander Hopkins	Baryton	Moralès	nov. 19, 21

With a lush score and instantly recognisable arias, Carmen follows a fiercely independent woman whose passionate life ignites obsession and jealousy, leading to tragic consequences. First performed in Paris in 1875, Carmen shocked audiences with its raw portrayal of passion, lawlessness and moral defiance.

Carmen will be set in a contemporary world. It contains scenes of sexual and violent nature and is unsuitable for younger audiences.

Plan

Envoyer ces détails par email

Loading image...

Moonflower in blossom: Aigul Akhmetshina on Carmen

Mark Pullinger, 21st June

Russian mezzo-soprano Aigul Akhmetshina discusses the role of Carmen and reflects on the fantastic opportunities fate has thrown her way since joining The Royal Opera's young artist programme.

The Royal Academy's Carmen has too many what-if moments

Dominic Lowe, 18th November

Presenting a work like Carmen is a punchy move by a conservatoire. The Royal Academy of Music's production has conceptual weaknesses, but features some good singing.

***11