John Luther Adams' Become Ocean

Par David Allen, 07 mai 2014

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“It’s a modern day Rheingold... possessed of an inexorable power born of oceanic weight”

Critique faite à Carnegie Hall: Stern Auditorium, New York, le 6 mai 2014

Adams, Become Ocean (NY Premiere)

Varèse, Déserts

Debussy, La Mer

Seattle Symphony

Ludovic Morlot, Direction

A rite of spring turned inward: Strauss’ Daphne at Seattle Opera

Thomas May, 16th January

Presented without staging, Seattle Opera’s concert Daphne places Strauss’ extreme vocal demands and saturated orchestral writing in sharp relief, offering a high-risk encounter with a rarely heard late opera.

****1

Ioffe conducts the Seattle Symphony in varied faces of Romanticism

Thomas May, 8th January

Barber and Bernstein shine in this program exploring sharply contrasting faces of 20th-century Romanticism under guest conductor Alevtina Ioffe.

****1

Ivars Taurins leads the Seattle Symphony in Baroque feast

Thomas May, 16th October

A lean Seattle Symphony under guest conductor Ivars Taurins brings stylish energy to Baroque orchestral theater by Telemann, Hasse and Handel.

****1

Morlot returns to lead Seattle Symphony’s season-closing showcase

Thomas May, 19th June

Two rhapsodies anchor a program that ranges from brass-driven bravura to Ravel’s iridescent orchestral color. Seattle Symphony closes its season with breadth, nuance and elegant command from emeritus Ludovic Morlot.

****1

Peter Oundjian bridges the centuries in Seattle

Erica Miner, 15th March

The Seattle Symphony co-commissions a new work, Jan Lisiecki plays Mozart with religious fervor, and Stravinsky's Sacre still creates an uproar.

***11

Mozart meets Vaudeville in Seattle's silent movie Magic Flute

Erica Miner, 22nd February

Eye-popping, hand-drawn animation melds with Mozart's fantastical world and the silent film era to create a colorful and energetic new-to-Seattle production.

***11

Plus de critiques...

David Allen

David is a PhD student at Columbia University, where he studies international history. A lapsed pianist and organist, he writes on concerts on both sides of the Atlantic, and blogs at Unpredictable Inevitability.

The Seattle Symphony brings John Luther Adams' Become Ocean to "Spring for Music"