Andreas Ottensamer charms with hyphenated Brahms and Mendelssohn

Par Chang Tou Liang, 11 décembre 2021

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Critique faite à Esplanade Theatre, Singapore, le 10 décembre 2021

Dvořák, Sérénade en mi majeur pour cordes, Op.22

Brahms, Sonate pour clarinette no. 1 en fa mineur, Op.120 no. 1 (orch. Cueto)

Mendelssohn, Romances sans paroles : extraits (arr. Ottensamer)

Prokofiev, Symphonie no. 1 en ré majeur «Classique», Op.25

Andreas Ottensamer, Clarinette

Singapore Symphony Orchestra

Lorenzo Viotti, Direction

Lintu, Kavakos and the SSO make the case for Shostakovich

Chang Tou Liang, 9th April

Has Shostakovich become the new Rachmaninov in Singapore? The SSO and Hannu Lintu show that he can be as popular as Rachmaninov.

*****

Eliahu Inbal enlivens the Singapore Symphony

Chang Tou Liang, 28th March

The nonagenarian conductor enlivens Singapore's Esplanade Concert Hall with masterly readings of Shostakovich and Rachmaninov

****1

Takács-Nagy’s Schumann trumps Bach at the Singapore Symphony

Chang Tou Liang, 13th February

Bach concertos on a modern Steinway prove a mixed blessing, but the Singapore Symphony's Schumann impresses under Hungarian conductor Gábor Takács-Nagy.

****1

Pierre Bleuse and the Singapore Symphony raise the roof again

Chang Tou Liang, 30th January

High decibel hits arrive via Prokofiev’s Scythian Suite and Mussorgsky’s Pictures at an Exhibition, sandwiching Liszt from Bertrand Chamayou.

****1

World premiere of Jonathan Shin’s Piano Concerto a Singapore landmark

Chang Tou Liang, 19th December

The Singapore Symphony Orchestra and Churen Li score in a landmark new Singaporean piano concerto by Jonathan Shin.

****1

Hannu Lintu shows Singapore great things to come with Mahler and Haydn

Chang Tou Liang, 14th November

The Singapore Symphony Orchestra's Music Director-designate made his mark conducting Mahler's Fourth Symphony and the Nelson Mass.

*****

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Chang Tou Liang

Chang Tou Liang, a native of Singapore, is a family physician by profession. Actively following the classical music scene in Singapore since 1979, he has been a music reviewer of The Straits Times from 1997, contributing over 2300 articles to the national daily. He was also editor of several local musical newsletters and served as Artistic Director of the Singapore International Piano Festival from 2004 to 2008. His blog Pianomania has covered international piano competitions and musical events in four continents. He has a keen interest in travelling, street food and cat photography.

Andreas Ottensamer charms with hyphenated Brahms and Mendelssohn in Singapore