Murder on the dance floor: an underwhelming Ballo

Par Mark Pullinger, 04 février 2018

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“Tereza Gevorgyan's jaunty Oscar, superbly vibrant, coloratura thrown off with ease”

Critique faite à Leeds Grand Theatre, Leeds, le 3 février 2018

Verdi, Un bal masqué

Opera North

Richard Farnes, Direction

Tim Albery, Mise en scène

Hannah Clark, Décors, Costumes

Rafael Rojas, Gustavo, King of Sweden

Phillip Rhodes, Count Anckarström

Adrienn Miksch, Amelia

Patricia Bardon, Madame Arvidson

Tereza Gevorgyan, Oscar

Dean Robinson, Count Ribbing

Stephen Richardson, Count Horn

Richard Mosley-Evans, Cristiano

Ivan Sharpe, Judge

Stuart Laing, Amelia's servant

Chorus of Opera North

Orchestra of Opera North

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Richard Wilcocks, 13th February

Benjamin Britten’s dark masterpiece Peter Grimes returns triumphantly to Opera North, conducted by Gary Walker and revived by Karolina Sofulak and Tim Claydon.

*****

Opera North’s Susanna: how a woman stood up to her abusers

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Handel's oratorio is staged by Olivia Fuchs and conducted by Johanna Soller in Opera North's latest successful collaboration with Phoenix Dance Theatre.

****1

To be or not to be: Hamlet returns to the Buxton Festival

Mark Pullinger, 16th July

After 45 years, Ambroise Thomas' Hamlet returns to Buxton in a gripping, psychological staging by Jack Furness.

****1

Opera North’s “fleeing” Dutchman links to plight of asylum seekers

Richard Wilcocks, 1st February

Opera North’s The Flying Dutchman, directed by Annabel Arden, conjures up frightening storms and links the production to the plight of asylum seekers.

****1

Opera North’s gleeful Magic Flute revived

Richard Wilcocks, 27th September

Conducted by Christoph Konz and directed by James Brining, Opera North’s revival of The Magic Flute remains an inventive reinterpretation of Mozart’s classic opera.

****1

Richard Wilcocks, 15th February

Opera North's revives its Cavalleria rusticana production by Karolina Sofulak, pairing it this time with Rachmaninov's early opera Aleko.

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Murder on the dance floor: an underwhelming Ballo in maschera from Opera North