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How the Whale Became, a lovely new opera at the Linbury Studio Theatre

Par Jaime Robles, 16 décembre 2013
Chargement en cours, veuillez patienter...
Voir le listing complet
Critique faite à Royal Opera House: Linbury Theatre, Londres, le 12 décembre 2013
Programme
Philips, How the Whale Became
Artistes
The Royal Opera
Natalie Abrahami, Mise en scène
Tom Scutt, Décors
Andy Massey, Direction musicale
Geoffrey Paterson, Direction musicale
Lindy Tennent-Brown
Donna Lennard, Soprano
Fflur Wyn, Soprano
Andrew Dickinson, Ténor
James McOran-Campbell, Baryton
Njabulo Madlala, Baryton
Isla Mundell-Perkins, Violon
Voir plus de critiques Opéra
Siegfried at the RBO: Kosky and Pappano surprise and delight
David Karlin, 17th March
A revelatory orchestral performance and a cast led by Andreas Schager, Christopher Maltman and Elisabeth Strid make this a Siegfried for the record books.
*****
Terfel’s craggy Boris Godunov returns to Covent Garden
Mark Pullinger, 29th January
The second revival of Richard Jones' staging of Mussorgsky's original 1869 version of Boris Godunov once again stars the Welsh knight. 
****1
Ermonela Jaho returns in triumph to The Royal Opera’s Traviata
Mark Valencia, 8th January
Richard Eyre’s 32-year-old production is rarely out of The Royal Opera’s repertoire for more than a few months at a time, but this particular revival proves very special. 
*****
Turandot drowned in an orchestral tsunami at The Royal Opera
David Karlin, 15th December
Andrei Șerban’s 40 year old take on Puccini's tale of the ice princess largely stands the test of time, but Netrebko and Eyvazov are short of their best form. 
***11
Handel’s Ariodante returns home to Covent Garden
Roy Westbrook, 9th December
Jetske Mijnssen’s house debut sees Handel’s opera transposed to a modern-day palace, with Emily D'Angelo angelic in the title role. 
****1
The Royal Opera stages its first Makropulos Case
Mark Valencia, 4th November
Katie Mitchell wheels out her tired old tropes in The Makropulos Case, redeemed by its musical performances. 
***11
Plus de critiques...
Lire critiques de
Andrew DickinsonChance to DanceFflur WynGeoffrey PatersonJames McOran-CampbellNatalie AbrahamiNjabulo MadlalaThe Royal OperaTom Scutt
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Jaime Robles
Jaime Robles
Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.