An acrobatic Orpheus and Eurydice in Edinburgh

Orpheus and Eurydice

Iestyn Davies (Orfeo) and Circa

Samantha Clarke (Euridice)

Par Roy Westbrook, 14 août 2025

Chargement en cours, veuillez patienter...

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“acrobats... offer a different kind of tension and resolution to that of words and music”

Critique faite à Edinburgh Playhouse, Edimbourg, le 13 août 2025

Gluck, Orfeo ed Euridice

Opera Queensland

Laurence Cummings, Direction

Yaron Lifschitz, Mise en scène, Décors, Chorégraphie

Libby McDonnell, Costumes

Alexander Berlage, Lumières

Scottish Chamber Orchestra

Scottish Opera Chorus

Boris Bagattini, Vidéaste

Samantha Clarke, Amore, Euridice

Iestyn Davies, Orfeo

Bridie Hooper, Chorégraphie

Circa, Chorégraphie

Susannah Wapshott, Chef de chœur

The triumph of virtue: Rossini’s Cenerentola in Brisbane

Sandra Bowdler, 29th April

Margarita Gritskova leads a fine ensemble performance of Rossini’s most under-appreciated opera by Opera Queensland.

****1

A Perfect Masterpiece: Glass's The Perfect American in Brisbane

Paul Selar, 20th September

The Perfect American, a fictional account of the final months of Walt Disney’s life, is a visually rhythmic flow of scenic magic on a blended Glass base – gently but harrowingly absorbing.

*****

En masse : de l'art de faire corps ensemble par la compagnie Circa

Julie Jozwiak, 15th June

Sur des œuvres de Schubert et Stravinsky interprétées en live, la troupe australienne Circa incarne une humanité en souffrance mais solidaire dans un spectacle plein de beauté et très actuel.

****1

Stunning acrobatics, a forlorn farewell: Dido and Aeneas in Sydney

Zoltán Szabó, 13th March

Yaron Lifschitz mesmerises from the opening tableaux’s row of candles in his Purcell staging for Opera Australia, featuring Circa, a Brisbane-based circus company.

****1

Total drama in Orpheus and Eurydice at Opera Australia

Jeremy Eccles, 12th January

Man of the circus Yaron Lifschitz gives Orpheus and Euridice the Gesamtkunstwerk treatment in his involving production that arrives from Brisbane.

*****

Fellini goes Baroque with Circa and the ABO

Jeremy Eccles, 19th January

Acrobats flying to the music of Vivaldi and his contemporaries makes for a surprising but highly entertaining combination in this energetic pastiche.

*****

Plus de critiques...

Roy Westbrook

Roy Westbrook gained a diploma in music history at London University (Morley College) and was for some years the head of music day schools at Oxford University, where he also led music summer schools. After some years leading the University's business school he has returned to music teaching and writing, and recently took part in the Arts in Residence courses on Bruckner, Mahler and Bach He is co-author (with Terry Barfoot) of a history of opera, and has taught day schools on Sibelius in Oxford and elsewhere.

An acrobatic Orpheus and Eurydice at the Edinburgh International Festival