Manze and the CBSO's German Requiem

Par Robert Gainer, 23 octobre 2015

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“he held them entirely in the palms of his hands as he coaxed delicate whispers in pianissimo”

Critique faite à Symphony Hall, Birmingham, le 22 octobre 2015

Mozart, Concerto pour piano no. 25 en ut majeur, K503

Brahms, Ein deutsches Requiem (Un Requiem allemand), Op.45

City of Birmingham Symphony Orchestra

Andrew Manze, Direction

Francesco Piemontesi, Piano

Susan Gritton, Soprano

Mark Stone, Baryton

CBSO Chorus

Les orages printaniers de Vilde Frang et Mirga Gražinytė-Tyla à Bozar

Valentin Gautron Lavarone, 22nd March

Mirga Gražinytė-Tyla et les musiciens du City of Birmingham Symphony Orchestra ont manqué de trébucher dans Schumann mais ont porté Elgar au sommet avec Vilde Frang.

***11

Au-delà des horizons : le CBSO, Mirga Gražinytė-Tyla et Yuja Wang

Sylvain Gaulhiac, 22nd May

Le City of Birmingham Symphony Orchestra débarque au Théâtre des Champs-Élysées sous la baguette de sa directrice musicale. Un programme bien ficelé autour de Ravel, Brahms et Prokofiev avec la pianiste Yuja Wang.

****1

Klaus Florian Vogt au TCE avec Andris Nelsons et le CBSO : le père, le fils... et l'esprit wagnérien

Denis Peyrat, 1st June

Klaus Florian Vogt, l'un des grands ténors wagnériens actuels a interprété avec brio au Théâtre des Champs Elysées Parsifal et surtout Lohengrin. Il était magnifiquement soutenu par Andris Nelsons avec le City of Birmingham Symphony Orchestra, qui ont aussi illuminé Dvorak.

****1

Carlo Rizzi brings Respighi’s Rome to Birmingham

Robert Gainer, 15th April

Carlos Rizzi believes that Puccini’s orchestrations are good enough to stand alone, without their vocal lines, but can the drama compete with the romance of Respighi?

****1

Nelson Goerner shines with the CBSO and Rachmaninov’s Rhapsody

Robert Gainer, 9th April

The CBSO present the work of three European émigré composers of the 1930s and 40s, who reimagined their musical influences with contrasting approaches and results.

****1

Yamada and the CBSO’s Walton expedition at the Elbphilharmonie

Mengguang Huang, 10th March

In Hamburg, Kazuki Yamada and the CBSO navigate the thorny brilliance of Walton’s First Symphony, proving that ‘difficult’ music can offer an evening’s most profound human connection.

****1

Plus de critiques...

Robert Gainer

Robert Gainer has completed a BA in European Studies at the University of Warwick and an MSc in Criminology at the University of Leicester. He is currently completing further study in English and Cultural Studies, again at Warwick. He plays trumpet, cornet and flugelhorn and his musical background is in brass band and orchestra. In his spare time he enjoys writing fiction and poetry.

Manze and the CBSO's German Requiem in Birmingham