A probing Hammerklavier in Chicago

Par Sam Jacobson, 12 mai 2017

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“mercurial textures soon retreated into quiet moments of the utmost intimacy”

Critique faite à Chicago Symphony Center, Chicago, le 7 mai 2017

Bach, Suite française no. 6 en mi majeur, BWV817

Schubert, Quatre Impromptus, D.935

Beethoven, Sonate pour piano no. 29 en si bémol majeur «Hammerklavier», Op.106

Murray Perahia, Piano

Full of the joys of spring in Beethoven

Alexander Hall, 20th February

Soon to be seventy, Murray Perahia and the Academy of St Martin in the Fields give full expression to the life force that is Beethoven, in their continuing cycle of the piano concertos.

*****

Perahia in Manchester: A thunderous Hammerklavier

Rohan Shotton, 15th June

Murray Perahia plays Haydn, Mozart, Brahms and Beethoven in Manchester's Bridgewater Hall.

****1

Lions in winter: Perahia and Haitink in Boston

Kevin Wells, 31st March

Bernard Haitink and Murray Perahia bring a lifetime of experience, frequent collaboration, and an evergreen musicianship to bear on a program of Beethoven and Mahler.

*****

Meister der Klangarchitektur

Benedikt Zacher, 2nd December

Murray Perahia erschuf vor dem geistigen Auge des Münchener Publikums zwei großartige und doch ganz unterschiedliche Klanggebäude Beethoven'scher Klavierkonzerte.

****1

Tragic undertones and optimistic spirit

Olga de Kort, 15th November

A memorable programme of Schumann from Bernard Haitink and the Chamber Orchestra of Europe.

****1

Just So: Haitink’s heavenly Mahler 4

Mark Pullinger, 20th September

Bernard Haitink presides over a performance of Mahler’s Fourth Symphony with the London Symphony Orchestra which was “Just So” – everything in its place.

****1

Plus de critiques...

Sam Jacobson

Sam Jacobson has been writing for Bachtrack since 2015 and is currently in Pittsburgh, having previously lived throughout the Midwest. A keen traveler, he endeavors to see all the great orchestras and opera houses across the US and abroad. Outside of music, he works as a software engineer. He also maintains a blog which can be read here.

Perahia’s Chicago recital anchored by a probing Hammerklavier