Tanglewood fellows impress in Strauss, Beethoven and Ives

Andris Nelsons conducts the Tanglewood Music Center Orchestra

Andris Nelsons, Emanuel Ax and the Tanglewood Music Center Orchestra

The Tanglewood Music Center Orchestra

Par Cameron Kelsall, 21 juillet 2024

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“perhaps good old Lenny had a word with the Man Upstairs”

Critique faite à Tanglewood, Koussevitzky Music Shed, Lenox, le 21 juillet 2024

Ives, Three Places in New England

Beethoven, Concerto pour piano et orchestre no. 3 en ut mineur, Op. 37

Chopin, Nocturne no. 7 en ut dièse mineur, Op. 27 no. 1

Strauss R., Ainsi parlait Zarathoustra (Also sprach Zarathustra), Op.30

Tanglewood Music Center Orchestra

Andris Nelsons, Direction

Emanuel Ax, Piano

Stormy weather: a wild ride with Berlioz and Yuja Wang at Tanglewood

Kevin Wells, 20th July

Yuja Wang’s verve and panache, combined with the Tanglewood Music Center Orchestra’s fearless, youthful energy, forge an incandescent, explosive performance.

****1

A stirring Beethoven 9 from Tanglewood young musicians

Edward Sava-Segal, 20th August

The summer festival closes with the Tanglewood Music Center Orchestra playing Tippett and Beethoven.

****1

Young musicians at Tanglewood signal a bright future for music-making

Edward Sava-Segal, 23rd July

Andris Nelsons conducts the young musicians of the Tanglewood Music Center Orchestra in Berlioz and Mahler.

****1

A confidence-building exercise: the Tanglewood fellows in Die Walküre

Edward Sava-Segal, 28th July

Andris Nelsons finishes his 2019 Tanglewood residency on a high note.

****1

A rewarding bond with Brahms at Tanglewood

Edward Sava-Segal, 31st July

Andris Nelsons conducted pianist Paul Lewis and the fellows of the Tanglewood Music Center in an All-Brahms Sunday afternoon

***11

Andris Nelsons takes Mahlerian command at Tanglewood

Erica Miner, 8th August

Boston Symphony Orchestra Music Director Andris Nelsons experienced his first time leading the Tanglewood Music Center Orchestra – and hundreds of other performers – in Mahler’s Symphony no. 8.

*****

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Cameron Kelsall

Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.