Massenet's Cendrillon at RAM

Par David Karlin, 20 novembre 2013

Chargement en cours, veuillez patienter...

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Critique faite à Royal Academy of Music: Sir Jack Lyons Theatre, Londres, le 18 novembre 2013

Massenet, Cendrillon

Royal Academy Opera

Royal Academy of Music Sinfonia

Gareth Hancock, Direction

Christopher Cowell, Mise en scène

Bridget Kimak, Décors

Cathy-Di Zhang, Cendrillon

Richard Dowling, Le Prince charmant

Tereza Gevorgyan, La Fée

Rozanna Madylus, Madame de la Haltière

Ed Ballard, Pandolfe

Ross Scanlon, Le Doyen de la faculté

Lancelot Nomura, Le Roi

Céline Forrest, Noémie

Sarah Shorter, Dorothée

Le ravissement de Semele à Londres

Georgiana Hatara, 17th November

À la Royal Academy of Music, Semele de Händel offre une expérience jubilatoire et rafraîchissante. Mise en scène ingénieuse et jeunes chanteurs talentueux sont au menu de cette production.

****1

The Royal Academy's Carmen has too many what-if moments

Dominic Lowe, 18th November

Presenting a work like Carmen is a punchy move by a conservatoire. The Royal Academy of Music's production has conceptual weaknesses, but features some good singing.

***11

Royal Academy Opera stages a magical Zauberflöte

Mark Valencia, 18th March

A lyrical yet zesty account of Mozart's' adorable score, in a production that is on the nose and off the wall.

****1

A dystopian Hansel und Gretel at the RAM

Mark Valencia, 20th November

Jack Furness serves up an unappetising mess of Humperdinck's delicious masterpiece for Royal Academy Opera.

***11

Keeping it surreal: Martinů double-bill at the Royal Academy of Music

Dominic Lowe, 8th May

With typical spirit, the students at the Royal Academy of Music did an excellent job in bringing Martinů’s Comedy on the Bridge and Alexandre bis to life – two lesser-known pre-war surrealist gems.

***11

Unreal city: The Rake's Progress at the Royal Academy of Music

Benjamin Poore, 22nd November

Frederic Wake-Walker's realisation of the Hogarth-inspired opera is visually bracing and assuredly sung.

****1

Plus de critiques...

David Karlin

David is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.

High gothic and fairies: Massenet's Cendrillon at the Royal Academy