Andrés Orozco-Estrada makes impressive New York Phil debut

Andrés Orozco-Estrada conducts the New York Philharmonic

Edgar Moreau and the New York Philharmonic

The New York Philharmonic

Par Susan Stempleski, 09 décembre 2023

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“it was his graceful phrasing and intonation in the central Adagio that was most deeply felt”

Critique faite à Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York, le 6 décembre 2023

Tchaïkovski, Roméo et Juliette, ouverture-fantaisie

Haydn, Concerto pour violoncelle no. 1 en ut majeur, Hob VIIb: 1

Bartók, Le Mandarin merveilleux, Op.19: suite

Enesco, Rhapsodie roumaine no. 1 en la majeur, Op.11

Edgar Moreau, Violoncelle

New York Philharmonic

Andrés Orozco-Estrada, Direction

À New York, Daniil Trifonov réinvente le Concerto de Schumann

Jean-Pierre Rousseau, 12th October

Au côté du New York Philharmonic, le pianiste russe propose une interprétation extraordinairement riche de l'œuvre de Schumann. Sous la direction de Mirga Gražinytė-Tyla, la partie symphonique du programme a moins convaincu.

***11

Le New York Philharmonic à Paris

Christophe Dilys, 26th April

Programme de musiques de danse interprété par le New York Philharmonic : Stravinsky, Debussy et Bartók pour un dimanche après-midi parfait !

*****

A vocally perplexing economics assignment from David Lang

No’a L. bat Miri, 19th March

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

***11

Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

****1

Contours in motion: Kavakos and Rouvali at the New York Philharmonic

Edward Sava-Segal, 20th February

Bartók and Rachmaninov are shaped through rhythmic precision and structural concentration in the New York Philharmonic's latest subscription concert.

****1

Lyricism and drama from Dueñas, Honeck and the New York Philharmonic

Susan Stempleski, 29th January

The Spanish violinist delivers a radiant rendition of Beethoven’s Violin Concerto after which Honeck interprets his own distillation of music from Strauss’ Elektra.

****1

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Susan Stempleski

Based in New York City, Susan is a retired specialist in second and foreign language teaching and the author/editor of several professional books for language teachers and many widely used textbooks for English language learners around the world. An avid concertgoer, she spends her time attending operas and other classical music events in New York and Paris. Since 2002, she has regularly published reviews on Classical Source. A keen Francophile, she has a particularly strong interest in French music, literature and film.

Andrés Orozco-Estrada and Edgar Moreau make impressive New York Philharmonic debuts