Indianapolis Symphony opens season with lyrical Brahms

Peter Oundjian conducts the Indianapolis Symphony

Kevin Lin and Austin Huntington

Par Sam Jacobson, 17 octobre 2022

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“in the central Andante, the violin and cello sounded in unison, operating as one”

Critique faite à Hilbert Circle Theatre, Indianapolis, le 15 octobre 2022

Glinka, Rouslan et Ludmila : ouverture

Brahms, Double Concerto en la mineur pour violon, violoncelle et orchestre, Op.102

Halvorsen, Passacaille pour violon et alto ou violoncelle (d'après Haendel)

Simon, Fate Now Conquers

Moussorgski, Tableaux d'une exposition (orch. Ravel)

Kevin Lin, Violon

Austin Huntington, Violoncelle

Indianapolis Symphony Orchestra

Peter Oundjian, Direction

Tomasi's restored Trumpet Concerto headlines Indianapolis program

Phillip Nones, 17th March

The rediscovered version of the Tomasi Trumpet Concerto from Håkan Hardenberger, Fabien Gabel and the Indianapolis Symphony shares the limelight with an authoritative Indy premiere of Florent Schmitt's La Tragédie de Salomé.

****1

Leon Fleisher et l’Orchestre symphonique de Toronto à Montréal

Sébastien Daigle, 6th May

L’Orchestre symphonique de Toronto prenait d’assaut la Maison symphonique en déployant un arsenal pour le moins impressionnant : Leon Fleisher (90 ans !) dans le Concerto pour piano n°12 de Mozart et la puissante Symphonie n°8 de Bruckner.

*****

"Ode to Joy" au Glasgow Royal Concert Hall

Nicolas Tavernier, 28th May

Le RSNO a clôt sa saison samedi soir avec un programme Beethoven/Strauss.

***11

Peter Oundjian bridges the centuries in Seattle

Erica Miner, 15th March

The Seattle Symphony co-commissions a new work, Jan Lisiecki plays Mozart with religious fervor, and Stravinsky's Sacre still creates an uproar.

***11

Oundjian and the Toronto SO charm, dazzle and challenge

Michelle Assay, 17th January

The return visit of former Principal Conductor and Music Director of the Toronto SO brings a programme of invigorating energy.

****1

Master of contrasts: Lang Lang excels in Saint-Saëns in Seattle

Erica Miner, 29th September

A manic 20th-century ride and a Technicolor showpiece bookend the astounding virtuosity of superstar pianist Lang Lang.

*****

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Sam Jacobson

Sam Jacobson has been writing for Bachtrack since 2015 and is currently in Pittsburgh, having previously lived throughout the Midwest. A keen traveler, he endeavors to see all the great orchestras and opera houses across the US and abroad. Outside of music, he works as a software engineer. He also maintains a blog which can be read here.

Indianapolis Symphony opens season with lyrical Brahms and a rousing Pictures at an Exhibition