Pelléas et Mélisande: an opera that demands the audience enter in

Par Gale Martin, 27 décembre 2010

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Critique faite à Lincoln Center: Metropolitan Opera House, New York, le 17 décembre 2010

Debussy, Pelléas et Mélisande

Metropolitan Opera

Sir Simon Rattle, Direction

Magdalena Kožená, Mélisande

Dame Felicity Palmer, Geneviève

Stéphane Degout, Pelléas

Gerald Finley, Golaud

Sir Willard White, Arkel

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Kurt Gottschalk, 6th April

At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace.

*****

Tristan und Isolde at the Met: staging gets in the way of the music

No’a L. bat Miri, 9th March

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***11

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Robert Levine, 13th January

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*****

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Susan Stempleski, 31st December

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*****

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Robert Levine, 7th December

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*****

Singers bring passion and excitement to Met’s Andrea Chénier revival

Susan Stempleski, 24th November

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****1

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Gale Martin

Based on the East Coast, Gale is an award-winning writer on the performing arts, books, literature and popular culture. She has just published Don Juan in Hankey and you can read her Operatoonity blog. Her articles have appeared in numerous anthologies.