Eduardo Strausser “a conductor of the spirit” at the Kauffman Center

Par Hilary Stroh, 05 février 2022

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“in his ethereal, mercurial way, he seems to be part of the music itself”

Critique faite à Kauffman Center for the Performing Arts, Kansas City, le 4 février 2022

Dvořák, Othello: Overture, Op.93

Tchaïkovski, Variations sur un thème rococo en la majeur pour violoncelle et orchestre, Op.33

Prokofiev, Symphonie no. 5 en si bémol majeur, Op.100

Zlatomir Fung, Violoncelle

Kansas City Symphony

Eduardo Strausser, Direction

Deep into the American psyche: Carlisle Floyd’s Of Mice and Men

Hilary Stroh, 1st May

Carlisle Floyd's operatic setting of John Steinbeck’s classic novella is given a new production in the composer's centenary year at the Lyric Opera of Kansas City.

****1

Porgy and Bess: Catfish Row arrives in Kansas City

Hilary Stroh, 28th February

Francesca Zambello's magnificent production of the Gershwins’ American epic comes to the Lyric Opera of Kansas City.

****1

Kansas City Ballet in Swan Lake: good girl vs bad girl

Hilary Stroh, 17th October

Swan Lake opens the season for Kansas City Ballet in a splendid looking production and with very pleasing interpretations.

****1

Rockabilly meets Rossini: Cinderella at Lyric Opera of Kansas City

Hilary Stroh, 3rd October

Michael Shell's sparkling new production of La Cenerentola, built locally, opens the season at the Lyric Opera Kansas City.

****1

A big and bold Turandot in Kansas City

Hilary Stroh, 2nd May

Lyric Opera of Kansas City ends its season with Garnett Bruce's blockbuster production of Puccini's Turandot.

****1

Kansas City Ballet's Don Quixote walks the wild side powerfully

Hilary Stroh, 22nd March

Kansas City Ballet's first love affair with Don Quixote is a striking and well-danced success.

*****

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Hilary Stroh

Hilary is an independent scholar and academic historian, based in DC. She has a background in violin, piano and ballet. Educated at Dublin and Cambridge, she has recently published her first two books.