Beethoven's Fidelio as fervent prayer in Leeds

Par Ako Imamura, 12 décembre 2020

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“Brindley Sherratt’s Rocco was a standout among the strong cast”

Critique faite à Leeds Town Hall, Leeds, le 12 décembre 2020

Beethoven, Fidelio (Concert performance)

Opera North

Mark Wigglesworth, Direction

Matthew Eberhardt, Mise en scène

Rachel Nicholls, Leonore

Toby Spence, Florestan

Brindley Sherratt, Rocco

Robert Hayward, Don Pizarro

Oliver Johnston, Jaquino

Fflur Wyn, Marzelline

Orchestra of Opera North

Chorus of Opera North

John Findon triumphs in the return of Opera North’s Peter Grimes

Richard Wilcocks, 13th February

Benjamin Britten’s dark masterpiece Peter Grimes returns triumphantly to Opera North, conducted by Gary Walker and revived by Karolina Sofulak and Tim Claydon.

*****

Opera North’s Susanna: how a woman stood up to her abusers

Richard Wilcocks, 4th October

Handel's oratorio is staged by Olivia Fuchs and conducted by Johanna Soller in Opera North's latest successful collaboration with Phoenix Dance Theatre.

****1

To be or not to be: Hamlet returns to the Buxton Festival

Mark Pullinger, 16th July

After 45 years, Ambroise Thomas' Hamlet returns to Buxton in a gripping, psychological staging by Jack Furness.

****1

Opera North’s “fleeing” Dutchman links to plight of asylum seekers

Richard Wilcocks, 1st February

Opera North’s The Flying Dutchman, directed by Annabel Arden, conjures up frightening storms and links the production to the plight of asylum seekers.

****1

Opera North’s gleeful Magic Flute revived

Richard Wilcocks, 27th September

Conducted by Christoph Konz and directed by James Brining, Opera North’s revival of The Magic Flute remains an inventive reinterpretation of Mozart’s classic opera.

****1

Richard Wilcocks, 15th February

Opera North's revives its Cavalleria rusticana production by Karolina Sofulak, pairing it this time with Rachmaninov's early opera Aleko.

****1

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Ako Imamura

Atsuko (Ako) Imamura is a retired investment banker in New York City. Born in Japan, she trained as cultural anthropologist in the US before turning to ﬁnance. She now spends her time attending opera and classical music concerts in New York and in Europe. Wagner is her favorite opera composer.