The Brodsky Quartet show their true musical colors at Utrecht's Vredenburg

Par Kristen Huebner, 19 novembre 2012

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Critique faite à Vredenburg Leeuwenbergh, Utrecht, le 15 novembre 2012

Schubert, Fragments d'une ouverture en si bémol majeur, D.601

Chostakovitch, Quatuor à cordes no. 8 en ut mineur « Malinconia », Op.110

Verbey, Spring Rain

Debussy, Quatuor à cordes en sol mineur, Op.10

Brodsky Quartet

A brooding programme from the Brodsky Quartet in Sydney

Zoltán Szabó, 23rd April

In a problematic acoustic environment, the Brodsky Quartet's sound did not always live up to the expectations.

***11

Profoundly moving Shostakovich cycle marks the Brodsky's 50th

Nick Boston, 29th October

The Brodsky Quartet deliver deeply moving performances of all 15 Shostakovich string quartets, with added value and insight from writers Elizabeth Wilson and Marina Frolova-Walker.

*****

Manchester Camerata and Jess Gillam on superb form in Buxton

Peter Connors, 19th July

Two fascinating and hugely entertaining recent pieces started a superb concert by the strings of the Manchester Camerata, joined by Jess Gillam in Glazunov's Saxophone Concerto and the Brodsky Quartet in Elgar's Introduction and Allegro. Tchaikovsky crowned the concert.

*****

50 years young: Brodsky Quartet celebrates at Bradfield

Phil Parker, 27th June

The accumulated experience of over 160 years of quartet playing is revealed in an intensity of passion undimmed by the passage of time in this exhilarating concert by the Brodskys.

*****

Exploring the fugue with the Brodsky Quartet in Auckland

Simon Holden, 13th May

This was a true tour de force and a fitting climax to a rather miraculous examination of counterpoint through musical history.

****1

An evening of cello quintets at Kings Place

Nahoko Gotoh, 23rd September

Schubert’s String Quintet was certainly a crowd-puller at this concert, as Kings Place's Cello Unwrapped series continues.

****1

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Kristen Huebner

Originally from the USA, Kristen Huebner now bases her musical life in the Netherlands and Europe. She currently tours with the Amsterdam Baroque Orchestra & Choir under the direction of Ton Koopman and has collaborated alongside members of the Orchestra of the Eighteenth Century under Frans Brüggen. Her work with the Paris-based Ensemble Diderot, has led to numerous appearances at festivals such as Musikfest Erzgebirge and the Bach Biennale Weimar. Kristen’s research on Empfindsamkeit in the chamber music of C.P.E. Bach has been adapted into an article for Music & Practice, published in 2015. Kristen joined the teaching team at the 2022 Zomer Academie Zutphen, where she led the traverso masterclass.