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Instrument: Countertenor

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Six-Fours-les-PlagesEnsemble Artaserse / Philippe Jaroussky

La Vague Classique
Caccini, Frescobaldi, Monteverdi, Cesti
Ensemble Artaserse; Philippe Jaroussky

BerlinOrlandoNew production

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Neuwirth: Orlando
Johannes Kalitzke; Ewa Marciniec; Komische Oper Berlin; Mirek Kaczmarek; Julia Kornacka; Olaf Freese; Orchester der Komischen Oper Berlin

ParisErcole amante – Antonia BemboNew production

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Bembo: Ercole amante
Leonardo García-Alarcón; Netia Jones; Opéra national de Paris; Fabiana Piccioli; Orchestre de l'Opéra national de Paris

Boulogne-BillancourtSevilla, La Torre del Oro

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Matteis, Mudarra, D'Rivera
Christina Pluhar; Céline Scheen; Vincenzo Capezzuto; Luciana Mancini; L'Arpeggiata

ViennaOrchester Wiener Akademie

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Handel: Oratorio per la Risurrezione di Nostro S. Giesu Cristo, HWV 47
Orchester Wiener Akademie; Martin Haselböck; Ana Maria Labin; Nicolò Balducci; Terry Wey; João Terleira

MadridHandel - Ariodante

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Handel: Ariodante
Andrea Marcon; Magdalena Kožená; Erika Baikoff; Shira Patchornik; Christophe Dumaux

New York CityPaul McCreesh Conducts Bach and Mozart

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Bach, Mozart
Orchestra of St Luke's; Paul McCreesh; Reginald Mobley
Latest reviewsSee more...

Orlando revisited: Olga Neuwirth’s Woolf adaptation comes to Berlin

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The German premiere of Olga Neuwirth’s Orlando at the Komische Oper cements it as a postmodern grand opéra – for better or for worse.
***11
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Reality television: ENO’s Angel’s Bone in Manchester

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Kip Williams and ENO mount an extraordinary new production of Du Yun and Royce Vavrek’s multifaceted opera, with performances of great emotional directness broadcast live on camera.
*****
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Chiaroscuro extinguished: a self-indulgent Poppea in Copenhagen

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Christoph Marthaler’s staging of Monteverdi’s Poppea for the Royal Danish Opera is a study in boredom. 

**111
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Handel’s Il trionfo del tempo e del disinganno returns to Rome

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Robert Carsen’s staging of Handel's oratorio arrives, via Salzburg, in the city where Handel composed it in 1707. 
****1
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Frida Kahlo and Diego Rivera brings Spanish to the Lyric Opera

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The Lyric Opera of Chicago's presentation of El último sueño de Frida y Diego brings the Mexican artists to life... or at least a life reminiscent of their real ones.
****1
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A Baroque Netflix evening: Zurich’s star-studded Giulio Cesare

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Davide Livermore’s high-octane production transforms Handel into a lavish blockbuster. While the superstars shine, the relentless entertainment-first approach often sacrifices musical refinement and dramatic logic for Netflix-style spectacle.

***11
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Handel’s Belshazzar at Komische Oper Berlin

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The Baroque confectionery of Herbert Fritsch's production of Handel's oratorio belies a serious core which is all too close to today's headlines.

****1
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