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Instrument: Countertenor

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SevilleJakub Józef Orliński

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Jakub Józef Orliński; Michał Biel

ParisSatyagrahaNew production

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Glass: Satyagraha
Ingo Metzmacher; Bobbi Jene Smith; Opéra national de Paris; Christian Friedländer; Wojciech Dziedzic; John Torres; Orchestre de l'Opéra national de Paris

CardiffBlaze of Glory!

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Hackbridge Johnson: Blaze of Glory!
James Southall; Caroline Clegg; Welsh National Opera; Elanor Higgins; Welsh National Opera Orchestra; Jeffrey Lloyd-Roberts; Feargal Mostyn-Williams

AmsterdamHandel's Brockes Passion

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Handel: Brockes Passion, HWV 48
Maarten Engeltjes; PRJCT Amsterdam; Carolyn Sampson; Julia Lezhneva

BerlinBelshazzarNew production

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Handel: Belshazzar
George Petrou; Herbert Fritsch; Komische Oper Berlin; Olaf Freese; Orchester der Komischen Oper Berlin

ValenciaFreiburger Barockorchester & René Jacobs - Il Giustino

Palau de la Musica (Valencia)
Vivaldi: Il Giustino, RV 717
Freiburg Baroque Orchestra; René Jacobs; Christophe Dumaux; Olivia Vermeulen; Kateryna Kasper

ToulouseJakub Józef Orliński

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Jakub Józef Orliński; Michał Biel
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Handel’s Il trionfo del tempo e del disinganno returns to Rome

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Robert Carsen’s staging of Handel's oratorio arrives, via Salzburg, in the city where Handel composed it in 1707. 
****1
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Frida Kahlo and Diego Rivera brings Spanish to the Lyric Opera

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The Lyric Opera of Chicago's presentation of El último sueño de Frida y Diego brings the Mexican artists to life... or at least a life reminiscent of their real ones.
****1
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A Baroque Netflix evening: Zurich’s star-studded Giulio Cesare

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Davide Livermore’s high-octane production transforms Handel into a lavish blockbuster. While the superstars shine, the relentless entertainment-first approach often sacrifices musical refinement and dramatic logic for Netflix-style spectacle.

***11
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Handel’s Belshazzar at Komische Oper Berlin

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The Baroque confectionery of Herbert Fritsch's production of Handel's oratorio belies a serious core which is all too close to today's headlines.

****1
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Freudian slip: Handel’s Tamerlano recast as Trumpian tantrums

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Opha Phelan’s staging presents the action as a grand, Freudian social experiment. It’s a risk – but the production is lifted by outstanding performances from the cast and the Academy of Ancient Music.
***11
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Deborah Warner attains her theatrical dream at the Teatro Real

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Warner once again displays her unquestionable talent onstage and her affinity with Benjamin Britten, although, on this occasion, the musical aspect are not equally satisfactory.
***11
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Luigi Rossi's Orfeo makes it a hat trick for Pygmalion in Adelaide

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A wonderful performance of a hitherto little known 17th-century version of the Orpheus legend is performed by Raphaël Pichon and Pygmalion at the Adelaide Festival. 
****1
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