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LaulasmaaSweelinck, Grigorjeva, Pärt, White, Byrd
Sweelinck, Traditional, Grigorjeva, Pärt, White, Byrd
Theatre of Voices; YXUS Ensemble; Paul Hillier
LondonThe Gesualdo Six
Traditional, Praetorius, Harvey, Tallis, Frances-Hoad, de Févin, Marsh, Rutter, Pärt, Rathbone
The Gesualdo Six
BarcelonaJordi Savall: Beethoven's 8th & 9th
Beethoven
Le Concert des Nations; Lluis Vilamajó; Sara Gouzy; Laila Salome Fischer; Mingjie Lei; Manuel Walser
BerlinOrfeo ed EuridiceNew production
Gluck: Orfeo ed Euridice
David Bates; Damiano Michieletto; Komische Oper Berlin; Paolo Fantin; Klaus Bruns; Alessandro Carletti; Simon Berger
LondonVoices Unwrapped: Theatre of Voices
Lang, Gudmundsen-Holmgreen, Adams
Theatre of Voices; David Bendix Nielsen; Paul Hillier
Latest reviewsSee more...
The Barber of Seville in State Opera of South Australia's new home
This sparkling successful production of Rossini's popular masterpiece delights the crowd on its opening at the new home for opera in Adelaide.
Collegium 1704 opens with a swan song
Václav Luks and his band of Baroque devotees offer a fresh take on late-period Mozart in Prague.
Sophocles as contemporary as ever as Œdipe opens at Komische Oper
Leigh Melrose appears in a strong new Œdipe directed by Evgeny Titov to open the 2021-22 season at the Komische Oper.
Collegium 1704 give Zelenka a virtual return in Dresden
Collegium 1704 takes the Czech Baroque composer online, with impressive results.
Intrada's Russian Christmas from Moscow's Yelokhovo Cathedral
Intrada's concert on the Great Feast Day of Orthodox Christmas featured first performances of music by Peter the Great's favorite composer Vasily Titov in more than 300 years.
A Rossinian talent show in Pesaro: Il viaggio a Reims
Rossini's operatic sketch show provides a great showcase for the talents of the festival's academy for young singers.
Technology to the rescue in Zurich's new staging of Boris Godunov
The Zurich Opernhaus tackles the pandemic with an innovative strategy: instead of reducing the size of orchestra and chorus (as many other European opera houses) it removes them from the theatre altogether.