Sich auf den musikalischen Kern konzentrieren: Igor Levit in München

By Michael Vieth, 02 July 2021

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“Levit wendete, wog und wandelte Töne und Harmonien zu kostbaren Klängen”

Reviewed at Philharmonie im Gasteig, Munich on 1 July 2021

Beethoven, Piano Concerto no. 4 in G major, Op.58

Elgar, Enigma Variations on an Original Theme for Orchestra, Op.36

Igor Levit, Piano

Bavarian Radio Symphony Orchestra

Edward Gardner, Conductor

Vivid Janáček and flowing Bruckner from Rattle and the BRSO

Roy Westbrook, 12th November

The Bavarian Radio Symphony Orchestra conclude the UK leg of their European tour at the Barbican, pairing Janáček’s Taras Bulba with Bruckner's Seventh Symphony.

*****

Sir Simon Rattle opens the Bavarian RSO tour on his home turf

Rohan Shotton, 10th November

Sir Simon Rattle returns to Liverpool to conduct his new orchestra, the Bavarian Radio Symphony Orchestra, in Schumann and Stravinsky.

*****

Rattle and the BRSO offer a glimmer of hope in epic Mahler 6

Nick Boston, 6th September

Stunning orchestral colour from the BRSO, with command and total coherency from Sir Simon Rattle in Mahler's “Tragic” Symphony.

*****

Adès and Bruckner: Rattle and his Bavarians arrive at the Proms

Roy Westbrook, 5th September

Sir Simon Rattle awards Thomas Adès a Royal Philharmonic Society medal during the first visit this summer of the BRSO to the BBC Proms.

****1

Rattle and the Bavarian RSO return to Carnegie Hall

Susan Stempleski, 3rd May

Winding up his inaugural tour with the BRSO, new Chief Conductor Sir Simon Rattle delivered a superbly performed program of Wagner, Adès and Beethoven.

****1

Sir Simon Rattle brings the BRSO to Philadelphia in Mahler 6

Cameron Kelsall, 1st May

After an eight-year absence, Rattle returned to deliver the kind of Mahler performance only he can offer: probingly intelligent and wonderfully idiosyncratic.

*****

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Michael Vieth

Michael Vieth ist Physiker und hat viele Jahre in der Zentralen Forschung der Siemens AG in Erlangen und München an magnetischen Speichern und Sensoren gearbeitet. Auch von klassischer Musik magnetisiert, singt er seit seinem Studium in Göttingen in großen Kantoreien und Chorprojekten; eine besondere Vorliebe hat sich zu Motetten der Renaissance und der Moderne entwickelt. Daneben faszinieren ihn Auftritte und Programme kleiner Vokal-Ensembles.

Sich auf den musikalischen Kern konzentrieren: Igor Levit mit Beethoven in München