In Batsheva’s German premiere of Momo, there is no narrative to be found, but rather a series of atmospheric sequences, creating a texture of inputs as ambiguous as reality itself.
While studying Art History, French and German Literature in Frankfurt/Main and Montpellier, Stephan developed his first interests in theater, opera and dance. This led him to various productions for festivals and opera houses, including the Rheingau Musikfestival 2011, Montpellier Danse 2013, and the Frankfurt Opera. Stephan has a particular passion for 20th century and contemporary opera and dance. After a work experience in Paris for two years, he is now working on his PhD thesis at the University of Cologne.
Sign in to use alerts, your personal diary/wishlist, to save your recent searches, to comment on articles and reviews or if you want to input events.
Please fill in your email address, then click on one of the two buttons.