Denkbar beste Besetzung in Rheingold

By Christoph Wurzel, 03 May 2022

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“Siegels vokale Höhe war exzellent, klar, frei und ohne Druck, zugleich ungemein farbenreich”

Reviewed at Festspielhaus, Baden-Baden on 30 April 2022

Wagner, Das Rheingold (Concert performance)

Yannick Nézet-Séguin, Conductor

Rotterdam Philharmonic Orchestra

Michael Volle, Wotan

Thomas Lehman, Donner

Issachah Savage, Froh

Gerhard Siegel, Loge

Samuel Youn, Alberich

Thomas Ebenstein, Mime

Stephen Milling, Fasolt

Mikhail Petrenko, Fafner

Jamie Barton, Fricka

Christiane Karg, Freia

Wiebke Lehmkuhl, Erda

Erika Baikoff, Woglinde

Iris van Wijnen, Wellgunde

Maria Barakova, Flosshilde

Sir Thomas Allen’s Figaro for Scottish Opera still entertains

David Smythe, 9th May

A traditional Marriage of Figaro entertains with a strong cast, eye-catching design and lighting, and Amanda Holden’s earthy libretto.

****1

Werther oozes quiet despair in new Canadian Opera Company staging

John Gilks, 7th May

Excellent performances cannot turn a conventional production of Massenet’s Werther into a dramatic experience for the 21st century.

***11

Rossini's Cenerentola proves great fun in Adelaide

Sandra Bowdler, 7th May

Neil Armfield's production for State Opera South Australia combines a sparkling night of entertainment with first class musical values.

****1

Welsh National Opera’s Dutchman docks in Birmingham

Rohan Shotton, 7th May

This bracing performance of The Flying Dutchman is a powerful reminder of the extraordinary musical standards which are at risk in the face of WNO’s subsidy cuts.

****1

Peter Grimes drops anchor again at The Royal Opera

Christopher Woodley, 5th May

Allan Clayton and Sir Bryn Terfel lead a strong cast in a revival of Deborah Warner's dark staging of Britten's signature work at Covent Garden.

****1

The early flowering of opera: a fragrant L’Orfeo at Schwetzingen

Mengguang Huang, 3rd May

Markus Bothe’s Botticelli-inspired production fuses tableau vivant aesthetics with Jörg Halubek’s surgical musical precision, offering a peerless, vivid tribute to the fragrant dawn of opera.

****1

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Christoph Wurzel

Nach dem Studium der Germanistik, Politikwissenschaft, Philosophie und Musikwissenschaft war Christoph Wurzel lange im pädagogischen Bereich tätig. Er interessiert sich besonders für die gesellschaftlich relevanten Aspekte der Musik. Er lebt in Baden – Baden und schreibt für verschiedene Magazine in Deutschland.

Denkbar beste Besetzung: Wagners Rheingold konzertant in Baden-Baden