| Wagner, Richard (1813-1883) | Die Walküre |
| Teatro Real | |||
| Pablo Heras-Casado | Conductor | ||
| Robert Carsen | Director | ||
| Patrick Kinmonth | Set Designer, Costume Designer | ||
| Orquesta Titular del Teatro Real | (Orquesta Sinfónica de Madrid) | ||
| Stuart Skelton | Tenor | Siegmund | 2020 Feb 12, 16, 21, 25, 28 |
| Christopher Ventris | Tenor | Siegmund | 2020 Feb 14, 18, 23, 27 |
| René Pape | Bass | Hunding | 2020 Feb 12, 16, 21, 25, 28 |
| Ain Anger | Bass | Hunding | 2020 Feb 14, 18, 23, 27 |
| Tomasz Konieczny | Bass | Wotan | 2020 Feb 12, 16, 21, 25, 28 |
| James Rutherford | Bass | Wotan | 2020 Feb 14, 18, 23, 27 |
| Adrianne Pieczonka | Soprano | Sieglinde | 2020 Feb 12, 16, 21, 25, 28 |
| Elisabet Strid | Soprano | Sieglinde | 2020 Feb 14, 18, 23, 27 |
| Ricarda Merbeth | Soprano | Brünnhilde | 2020 Feb 12, 16, 21, 25, 28 |
| Ingela Brimberg | Soprano | Brünnhilde | 2020 Feb 14, 18, 23, 27 |
| Dame Sarah Connolly | Mezzo-soprano | Fricka | 2020 Feb 12, 16, 21, 25, 28 |
| Daniela Sindram | Mezzo-soprano | Fricka | 2020 Feb 14, 18, 23, 27 |
| Julie Davies | Soprano | Gerhilde | |
| Samantha Crawford | Soprano | Ortlinde | |
| Sandra Ferrández | Soprano | Waltraute | |
| Heike Grötzinger | Mezzo-soprano | Siegrune | |
| Rosie Aldridge | Mezzo-soprano | Roßweiße | |
| Marifé Nogales | Mezzo-soprano | Grimgerde | |
| Bernadett Fodor | Mezzo-soprano | Schwertleite |
After the success of the beginning of the Tetralogy by Robert Carsen with (The Rhinegold) El Oro del Rin, the Teatro Real contines with the second stage (The Ring of Niebelungs) El Anillo del Nibelungo by Richard Wagner, with Conductor Pablo Heras-Casado and outstanding artists of Wagnerian repertory such as Stuart Skelton y Sarah Connolly. Perhaps this is the most popular title of the series, both because of the name of the opera, as well as for the music of the “Ride of the Valkyries” at the beginning of the Third Act. In this opera, the powerful ring continues to be the object of desire and source of conflict, in addition to dictating the fate of both those who desire it and those who fear it.
First day of the Tetralogy Des Ring des Nibelungen
Production of the Opera of Cologne
