Las aguas estancadas de Lady Macbeth de Mtsenk

By Maria Sánchez, 08 October 2024

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Reviewed at Gran Teatre del Liceu: Auditorium, Barcelona on 6 October 2024

Shostakovich, Lady Macbeth of the Mtsensk District

Gran Teatre del Liceu

Josep Pons, Conductor

Àlex Ollé, Director

Alfons Flores, Set Designer

Lluc Castells, Costume Designer

Urs Schönebaum, Lighting Designer

Orquesta Sinfónica del Gran Teatre del Liceu

Coro del Gran Teatre del Liceu

Alexei Botnarciuc, Boris Timofeyevich Izmailov

Mireia Pintó, Sonyetka

Pavel Černoch, Sergey

Ilya Selivanov, Zinoviy Borisovich Izmailov

Sara Jakubiak, Katerina Lvovna Izmailova

Scott Wilde, Police inspector

Núria Vilà, Aksinya

Javier Agudo, Office Manager

Goran Jurić, Priest

Jeroboám Tejera, Policeman

Paata Burchuladze, Old Convict

David Alegret, Tattered peasant

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A highly unbalanced premiere, its opportunity to become one of the Liceu's historic productions prevented by the contrast between dramaturgy and music.

****1

Àlex Ollé's La bohème gets an unfair reception at the Liceu

Maria Sánchez, 14th June

Contrasting sensations at the Liceu, where the audience punished a production of La bohème with boos and gave rapturous applause to a cast that performed at half throttle.

*****

Aleu's video brilliance powers a dystopian Liceu Turandot

David Karlin, 8th October

Fine musical performances blend with staggering video artistry in Aleu's spectacular science-fiction setting.

*****

Thomas’ Hamlet in concert at the Liceu

John Marten Barnard, 10th March

Ambroise Thomas’ Hamlet in concert in the Gran Teatre del Liceu in Barcelona is enthusiastically conducted by Daniel Oren.

****1

Vocal sparkle but a dull staging in the Liceu's Puritani

John Marten Barnard, 11th October

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****1

A forlorn Manon Lescaut arrives in Barcelona

John Marten Barnard, 7th June

Barcelona’s Gran Teatre del Liceu stages Puccini’s first great success as an operatic composer, Manon Lescaut with the stage direction of Davide Livermore.

***11

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Maria Sánchez

Nacida en Barcelona, se formó musicalmente a una edad temprana y de manera autodidacta. Graduada en Historia del Arte (Universitat de Barcelona) y posteriormente formada en el máster Música como Arte Interdisciplinar (Universitat de Barcelona / ESMUC / Universitat Rovira i Virgili), se especializó en el estudio y creación de nuevos lenguajes escénicos y musicales. Ha llevado a cabo la creación de proyectos dramatúrgicos en torno a la reformulación del mito clásico en las artes escénicas contemporáneas, eje vertebral de sus estudios. En la actualidad, continúa proyectando nuevos discursos y planteamientos sobre la supervivencia del mito en lo social y lo artístico.

Las aguas estancadas de Lady Macbeth de Mtsenk en el Gran Teatre del Liceu