Stravinsky, Faust y Les Siècles en el Palau de la Música

By Maria Sánchez, 27 March 2022

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“Roth y Les Siècles aportaron extravagancia y color, con matices sutiles”

Reviewed at Palau de la Música, Barcelona on 24 March 2022

Stravinsky, Suite no. 1 for chamber orchestra

Stravinsky, Three pieces for string quartet no. 7

Stravinsky, Pastorale

Stravinsky, Violin Concerto in D major

Stravinsky, Le Sacre du printemps (The Rite of Spring)

Isabelle Faust, Violin

Les Siècles

François-Xavier Roth, Conductor

Christof Loy’s understated Werther at the TCE

David Karlin, 22nd March

Massenet’s take on Goethe’s blockbuster novella of unrequited love and suicide is handled with great subtlety by Christof Loy and Marc Leroy-Calatayud. Benjamin Bernheim and Marina Viotti lead a starry vocal cast.

****1

Shimmering, disjointed: Poppe and Ligeti in Lucerne

Elodie Olson-Coons, 7th September

Les Siècles make their Lucerne Festival debut with a slightly uneven Poppe-Ligeti programme, at the heart of which Isabelle Faust nevertheless shines

***11

Mixed performances in Ligeti and Mozart from Les Siècles

David Truslove, 20th August

Three concertos and a symphony made for an unusual but generous programme, but Les Siècles illustrate that versatility can come with mixed blessings.

***11

A stunning Barbican debut by Les Siècles

Roy Westbrook, 20th June

Marking their 20th anniversary with a celebratory tour, Les Siècles perform French classics at the Barbican under their twinkle-toed founder, François-Xavier Roth.

*****

Paris 1913 brought to life by Les Siècles and François-Xavier Roth

David Smythe, 16th August

Two works premiered in Paris in 1913 – Lili Boulanger's Faust et Hélène and Stravinsky The Rite of Spring – excite the Edinburgh International Festival audience... but spark no riots.

****1

An exotic banquet to savour from Les Siècles

Mark Pullinger, 16th August

It was truly magnifique to welcome French period instrument orchestra Les Siècles and François-Xavier Roth to the BBC Proms for a highly perfumed programme of exotic sweetmeats.

*****

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Maria Sánchez

Nacida en Barcelona, se formó musicalmente a una edad temprana y de manera autodidacta. Graduada en Historia del Arte (Universitat de Barcelona) y posteriormente formada en el máster Música como Arte Interdisciplinar (Universitat de Barcelona / ESMUC / Universitat Rovira i Virgili), se especializó en el estudio y creación de nuevos lenguajes escénicos y musicales. Ha llevado a cabo la creación de proyectos dramatúrgicos en torno a la reformulación del mito clásico en las artes escénicas contemporáneas, eje vertebral de sus estudios. En la actualidad, continúa proyectando nuevos discursos y planteamientos sobre la supervivencia del mito en lo social y lo artístico.

Stravinsky, el mástil original de Faust y Les Siècles en el Palau de la Música