Live, Video: Find classical music concert, opera, ballet and dance reviews | Le Sacre du printemps (The Rite of Spring)

A fascinating programme of opera and dance to celebrate the 70th anniversary of the Baltic Opera House. 

An evening of Russian classics at the Royal Festival Hall, where Esther Yoo joins the RPO to play Tchaikovsky's Violin Concerto. 

The Sydney Symphony, temporarily rehoused in the ornate Victorian style Town Hall, plays grandiose Wagner and safe Stravinsky. 

Continuing in his inaugural Seattle Symphony season, Thomas Dausgaard casts a gorgeous spell with Scriabin but is just short of truly thrilling in Stravinsky's Modernist icon. 

The LA Phil give us plenty of excitement in Stravinsky and Sousa and an orchestral surprise packet from Ginastera; Yuja Wang's superb pianism isn't enough to lift a disappointing Adams concerto.

It can’t be easy for conductor Andrés Orozco-Estrada to have to play second fiddle to senior maestros on the Vienna Philharmonic’s tour.

The CBSO Youth Orchestra under Andrew Gourlay both succumb to and transcend imperfections in their performances of Prokofiev and Stravinsky.

The Royal Liverpool Philharmonic Orchestra give the UK premiere of one of André Previn's final works, while Joshua Weilerstein’s Rite of Spring brings a devastating blow in a programme of unique musical voices.

A mesmerising Stravinsky Rite of Spring from Mihhail Gerts and RTÉ NSO while Irish pianist Fiachra Garvey impresses in Rachmaninov's Rhapsody on a theme of Paganini. 

The Orchestra of the Royal Academy of Music and The Julliard School, with Edward Gardner in an impressively ambitious programme, with tragic Britten from James Ehnes, and a remarkable UK premiere from Anna Thorvaldsdottir.

An intense double bill of extreme physicality at Sadler's Wells.

Salonen and the Los Angeles Philharmonic, arguably the conductor and orchestra par excellence of Stravinsky performance, debuts the first of their three-concert series dedicated to the former Angeleno. 

Gustavo Dudamel and the Boston Symphony Orchestra perform Stravinsky and Schumann's rousing musical depictions of spring.

She Persisted is the sequel to English National Ballet's She Said, a triple bill featuring work by Annabelle Lopez Ochoa, Stina Quagebeur and Pina Bausch. 

The Konzerthaus Berlin devotes a six-day festival to a single composer under a single conductor. 

A daring double bill from Opera North and Phoenix Dance Theatre pairs Jeanguy Saintus' new choreography for The Rite of Spring with a revival of Christopher Alden's production of Gianni Schicchi. 

In a program including both modernist and neoclassical works, Michael Tilson Thomas and the SFO emphasized the common traits characterizing Stravinsky's entire ouevre.

Jaap van Zweden commenced his role as music director of the New York Philharmonic with a première by Ashley Fure, Stravinsky's Rite of Spring, and Ravel's Piano Concerto in G major featuring pianist Daniil Trifonov. 

Semyon Bychkov’s Prom appearances are always fascinating experiences and this was no different, with the BBC Symphony Orchestra on tremendous form. 

Just as Igor Stravinsky’s Petrushka and Le Sacre du Printemps opened up new musical horizons for dance at the start of the 20th century, Ballett Zürich’s Stravinsky evening sees two leading modern choreographers revive these works.

Impressive Ravel from Benedetto Lupo, with pleasing Debussy and Delius, and a strong performance of Stravinsky’s The Rite of Spring from Juanjo Mena and the LPO.

Once again, Scottish Ballet produces another winner for the Edinburgh Festival Theatre with a double bill of ballets set to the emotive otherworldly harmonies of composer, Igor Stravinsky.

The RSNO season begins with The Rite which ignites… eventually.

The Cleveland Orchestra’s 100th anniversary season officially opened with a stunning program that also featured Franz Welser-Möst’s own transcription of Beethoven’s Op.132 string quartet.

Firebird, Petrushka and The Rite of Spring in one evening: superb, unforgettable storytelling.

The Staatsorchester Darmstadt under Will Humburg performed three mightly works for large orchestra to bring its season to a close: Kurtág's Stele, Strauss's Also Sprach Zarathustra and Stravinsky's Rite of Spring.

This was a most impressive showing from the orchestra and conductor in which the works of three influential composers given emotionally engrossing treatment.

A top heavy programme marred Leif Ove Andsnes and Marc-André Hamelin's two piano recital at Wigmore Hall, though it had its moments of high inspiration. 

English National Ballet's ambitious triple bill does not disappoint; it shows a company on the rise. 

Paul Taylor American Modern Dance is getting ready for the transition to the time when it will have to go on without its founder and creative spirit.

Esa-Pekka Salonen’s colorful program included the first Chicago performance of John Adams’ Scheherazade.2 with dedicatee Leila Josefowicz, along with works of Debussy and Stravinsky.

A truly remarkable performance of Stravinky's Sacre by the Royal Concertgebouw Orchestra and Daniele Gatti.

Choreographers Marco Goerke and Edward Clug take Stravinsky’s two most familiar ballet works to a whole new level.

Charles Dutoit, still sporting his trademark slick of black hair and a 79-year-old whirlwind of francophone charisma, clearly brings this band's playing to a new level, especially when the repertoire happens to be French and Russian music of the 20th century.

The BBC Scottish Symphony Orchestra's prom brought to a fitting close a magical weekend of music from musicians north of the border.

Simone Young conducts the West Australian Symphony Orchestra in a high octane performance of Holst The Planets and Stravinsky The Rite of Spring

Vasily Petrenko and the RLPO perform an all-Russian programme, with an exceptional Rite of Spring and charismatic playing from solo harpist Catrin Finch. 

In the first concert of their exciting series Stravinsky: Myth and Ritual celebrating the varied musical inspirations of this most iconic figure of 20th-century composers, the focus was on Rituals. 

Ratmansky's Concerto DSCH proves the perfect show opener, before the Mariinsky Ballet reclaims Sasha Waltz's Sacre.

The Orchestre Symphonique de Montréal and Kent Nagano give terrific performances of Debussy, Prokofiev and Stravinsky as they embark on their American tour. 

Rising superstar Gustavo Dudamel led mixed interpretations of two of Stravinky's best-loved scores; consistently good orchestral playing was augmented by occasional glimpses of brilliance. 

The latest concert by the Spanish National Orchestra was a fascinating opportunity to explore the contrast between Wagner and Stravinsky.

Sasha Waltz & Guests reimagine L’après-midi d’un faune, Scène d’amour (from Roméo et Juliette) and Le sacre du printemps at London’s Sadler’s Wells.

Three substantial works from 1800, 1913 and 2008 in an enterprising and unusual combination, performed by the London Phlharmonic Orchestra conducted by Markus Stenz, and with the Moldovan violinist Patricia Kopatchinskaja as soloist.

This superb concert deserved a full house, but there were more bodies on the platform for the Rite of Spring than listeners in the front stalls.

Gergiev and the LSO in an explosive, primeval Rite of Spring.

A colourful concert from the Bergen Philharmonic Orchestra and Andrew Litton, which included two world premières and the fourth Proms appearance of Russian violinist Alina Ibragimova.

The Polish National Ballet compares favorably with American regional companies like Pacific Northwest Ballet, Ballet West and San Francisco Ballet.

French pianists François-Fréderic Guy and Jean-Efflam Bavouzet returned to London’s Wigmore Hall to present a programme of three 20th century orchestral scores transcribed for two pianos. 

The Rite of Spring provides the centrepiece of Alice Sara Ott and Francesco Tristano's "Scandale" programme, an often fatiguing programme, but thrillingly performed.