Mozart à Bruxelles : Così ou les feux de l'amour

By Patrice Lieberman, 24 February 2020

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“on n’est sûr de rien dans Così, en termes d'identité de genre, sociale et sexuelle”

Reviewed at La Monnaie | De Munt: Grand Hall, Brussels on 20 February 2020

Mozart, Così fan tutte

La Monnaie | De Munt

Antonello Manacorda, Conductor

Jean-Philippe Clarac, Director, Costume Designer

Rick Martin, Set Designer

Christophe Pitoiset, Lighting Designer

Olivier Deloeuil, Director, Costume Designer

Jean-Baptiste Beïs, Video

Lenneke Ruiten, Fiordiligi

Ginger Costa-Jackson, Dorabella

Juan Francisco Gatell, Ferrando

Iurii Samoilov, Guglielmo

Riccardo Novaro, Don Alfonso

Caterina Di Tonno, Despina

La Monnaie Chorus

La Monnaie Symphony Orchestra

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Eleanor Knight, 22nd March

A marathon double bill using music from Verdi's early operas largely falls flat in Brussels.

**111

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Foccroulle’s limited score imitates environmental catastrophe while Jocelyn’s libretto tries – unevenly – to understand why we might ignore it.

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*****

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Patrice Lieberman

Pratiquant le piano (puis l’alto) dès l’enfance, Patrice Lieberman - après un passage par le Conservatoire d’Anvers - combine sa passion pour la musique, les langues et la littérature en étudiant la musicologie et la philologie slave à l’Université Libre de Bruxelles, avant de se perfectionner aux universités de Pennsylvanie et Yale. Après avoir été pendant près de vingt ans critique au défunt hebdomadaire anglophone bruxellois The Bulletin, il collabore depuis 2014 à Crescendo Magazine (crescendo-magazine.be). Il a également régulièrement signé des notes de programme et des traductions pour différentes organisations culturelles, dont le Festival de Flandre et l’Orchestre national de Belgique.