La savoureuse Dame blanche de l'Opéra Comique

By Jean-Marc Piriou, 22 February 2020

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“Elsa Benoit est une Anna remarquable. Superbement projetée, la voix impose son autorité”

Reviewed at Opéra Comique, Paris on 20 February 2020

Boieldieu, La Dame blanche

Opéra-Comique

Julien Leroy, Conductor

Pauline Bureau, Director

Emmanuelle Roy, Set Designer

Alice Touvet, Costume Designer

Philippe Talbot, Georges Brown

Elsa Benoit, Anna

Sophie Marin-Degor, Jenny

Jérôme Boutillier, Gaveston

Aude Extrémo, Marguerite

Yann Beuron, Dickson

Yoann Dubruque, MacIrton

Chœur Les Eléments

Orchestre national d'Île-de-France

Implacable Werther at Opéra-Comique from Pichon and Huffman

Romain Daroles, 19th January

Tight orchestral playing, minimalist stage design: the conductor and director are perfectly in tune with each other, transforming Massenet's work into an intimate and timeless drama.

****1

Opéra-Comique's Carmen brings high musical qualities to Edinburgh

Roy Westbrook, 8th August

Andreas Homoki's meta-staging in Paris' Opéra-Comique cannot detract from strong musical performances at the Edinburgh Festival, led by Gaëlle Arquez as a near-perfect Carmen.

****1

Deliciously not Disney: Zémire et Azor at Opéra Comique

David Karlin, 29th June

Grétry's mash-up of Beauty and the Beast and The Arabian Nights provides an evening of proper enchantment in Paris.

****1

Unhappy ever after: Gluck's Armide returns to Paris

David Karlin, 11th November

Excellent performances and stage direction make a good case for an opera that's on the slow side dramatically.

****1

Titon et l'Aurore: flying sheep at the Opéra Comique

Philippe Ramin, 21st January

In Basil Twist's staging of Titon et l'Aurore, William Christie shows the breadth of his talent in 18th century French repertoire, conducting an cast which excels in both main and supporting roles.

*****

Operatic magic: Ercole Amante at the Opéra Comique

Jean-Marc Piriou, 6th November

Voices, orchestra staging: everything in this Ercole Amante is light and magic, to the great delight of the Salle Favart audience.

*****

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Jean-Marc Piriou

Diplômé de l’École Centrale Paris et titulaire d’un Doctorat en Biophysique Moléculaire, Jean-Marc occupe différentes fonctions dans le secteur de l’environnement. Passionné de musique depuis l’enfance, il étudie le saxophone, le piano, puis se forme au chant lyrique (ténor). S’il s’intéresse à tous les styles et toutes les formes de musique, l’opéra est sa grande passion.

Entre humour et gothique, la savoureuse Dame blanche de l'Opéra Comique