Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Lise de la Salle

Geläufiges von Beethoven und Dvořák, wunderbare Entdeckungen von frühem Mahler und seinem Bewunderer Schnittke im Kurhaus Bad Tölz.

Den glanzvollen Schlusspunkt setzte dann Bartóks virtuoses, rhythmisch komplexes Finale: ein orchestrales Schaustück, welches die Elemente der vorangegangenen Sätze, deren Spielfreude, das Volkstümliche in sich vereinigt.

Lise de la Salle verstand es, das äußerst anspruchsvolle Werk in einem harmonischen Fluss zu gestalten – eine sehr eindrucksvolle Leistung!

Das vierte Philharmonische Konzert im Opernhaus in dieser Saison diente zugleich als Feier zum 30-jährigen Bestehen des Orchesters seit der Auftrennung des vormaligen Tonhalle- und Theater-Orchesters Zürich, und das Programm war vielversprechend!

„Extrem begabt,“ so beschrieb Deutschlands bekanntester Musikkritiker Joachim Kaiser die junge französische Pianistin Lise de la Salle 2007 in der Süddeutschen Zeitung. Daran besteht kein Zweifel, und die junge Pianistin stellte an diesem Abend ihr Talent erneut unter Beweis.

Bridgewater Hall’s 30th anniversary International Concert Series opens with an exciting visit from the NDR Radiohpilharmonie Hannover with conductor Stanislas Kochanovsky. 

A most appealing Romantic programme by the French pianist at Sydney's City Recital Hall, played with accurate finesse in search of emotional highlights. 

In a thrilling concert oscillating between lush sentiment and explosive tension, pianist Lise de la Salle and conductor Diego Matheuz lead the NSO through Rachmaninov’s emotional grandeur and Shostakovich’s wartime defiance. 

Russian-Ukrainian conductor Anna Rakitina doesn't quite land on her debut with the BBC Symphony Orchestra, while Lise de la Salle uncovers the lighter side of Rachmaninov. 

La pianiste triomphe dans un Concerto en fa mineur de Chopin peu orthodoxe mais néanmoins admirable, sous la direction d'une Ariane Matiakh à l'écoute de la soliste.

An unusual but inspired programme of Riisager, Gershwin and Korngold finds a very receptive audience in Singapore. 

Lise de la Salle, le Belgian National Orchestra et Stanislav Kochanovsky ont offert de très belles interprétations d'un grand concerto du répertoire encadré de deux œuvres rares.

Herbert Blomstedt and Lise de la Salle proved an ideal pair in the rarely heard Piano Concerto no. 2 in D minor with the Philadelphia Orchestra.

The French pianist's approach may be uncomplicated, but crisp articulation, interesting dynamics and a fine sense of shifting moods enliven a recital full of variety.

Krzysztof Urbański elects an ideal pace and shape for Tchaikovsky's Fourth Symphony in a guest conducting appearance with the National Symphony Orchestra, on an evening also featuring Lise de la Salle playing Chopin.

Rafael Payare demonstrates his mastery of a late Romantic score and together with the RPO partners Lise de la Salle in an early piano concerto by Mozart.

In guest conductor Ludovic Morlot's first appearance with the Minnesota Orchestra, works by Ravel were paired with a dynamic reading of Prokofiev's Fifth Symphony.

Another evocative salute to Slava in Washington DC/

Pappano and the LSO provide magnificent entertainment with Respighi's Roman trilogy; Lise de la Salle gives pin-sharp precision in Rachmaninov's take on Paganini.

As one of the featured artists of the ‘Am Piano’ festival in Lucerne, Lise de la Salle brought a poetic weave to the fabric of complex and highly demanding scores. 

L'Orchestre National de Russie, invité à l'Auditorium de Lyon, s'entoure de musiciens de choix et nous propose un programme qui incite au voyage, qu'il soit historique, émotionnel ou merveilleux.

Hans Graf conducts the Houston Sympony and proves even a line-up of symphonic favorites can be foiled by a tepid tempo.

Precise Rachmaninov and heartfelt Beethoven in a fine Philharmonia Zürich programme conducted by Fabio Luisi. 

Fabio Luisi and the LSO, vindicate magnificently Bruckner's first thoughts for his Eighth Symphony, and with Lise de la Salle create a splendidly multi-dimensional Mozart.

It was a year ago at the Jane Mallett Theatre when the 24-year-old French pianist Lise de la Salle made her Toronto debut in a solo recital of Debussy, Liszt and Ravel. That recital was a sensation and left lasting impression in the hearts of many Torontonians.

The Italian conductor Fabio Luisi has become an increasingly familiar and welcome face to New York audiences. Recently appointed Principal Conductor at the Metropolitan Opera, he is primarily known here as an operatic conductor.

The first lunchtime concert of the Wigmore Hall’s autumn season featured young French pianist Lise de la Salle. With her 'glamour model' looks, Lise de la Salle could easily be dismissed as a “piano babe”, but at only 23, she is already making a name for herself, particularly through her recording of first concertos of Liszt, Prokofiev and Shostakovich.