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Marco Armiliato conducts a finely balanced rendition of Bellini's final masterpiece with a stellar cast headed by Lisette Oropesa and Lawrence Brownlee.

The Metropolitan Opera kicks off this season’s revival of Umberto Giordano’s tempestuous melodrama with standout performances from a resplendent cast.

Nadine Sierra stars as a highly affecting Amina in the tenor-turned-director’s revisionist take on Bellini’s bel canto masterwork. 

With a standout cast, fine orchestral playing under Carlo Rizzi, and newly refurbished sets, Zeffirelli’s 1987 staging of Puccini’s epic fairy tale appears as bright as ever.

Bartlett Sher’s 2006 production of Rossini’s tuneful masterpiece is showing its age, but a superb cast and conductor keep the comedy moving. 

Fifteen years after its Dallas Opera world premiere, Jake Heggie’s grand adaptation of Herman Melville’s sprawling epic arrives in New York in a stunning production with a standout cast.  

The virtuoso violinist glows in Brahms’ Violin Concerto and the Met musicians display their virtuosity and versatility in the composer’s complex final symphony. 

The American soprano heads an uneven cast in Michael Mayer’s archeologically inspired staging of Verdi’s great tale of love, war and betrayal.

Deborah Colker directs an ambitious show, which works incredibly well with storytelling as emotive as it is narrative, confronting death and loss in sharp, weary pains. 

After a heavily promoted but underwhelming opening night, the company gets the new season back on track with plenty of star power in Offenbach’s final masterpiece. 

An exceptionally strong cast, led by Ryan Speedo Green, fails to disguise Blanchard's bland score and the opera's weak libretto.

Yannick Nézet-Séguin and the Met Orchestra emerge from their orchestra pit onto the stage of Carnegie Hall last Thursday to strut their considerable stuff as a star attraction.

Anthony Minghella’s highly stylized Madama Butterfly returns to New York for its ninth revival, with the Polish soprano delivering a thrilling performance in a Met role debut.

Carrie Cracknell’s modernized take on Bizet’s 1875 iconic opera moves the action from early 19th-century Spain to a 21st-century American industrial town.

Anthony Davis’ groundbreaking opera, with a jazz band in the middle of the orchestra and a book that focuses more on crises than victories, proves hard to see as an heroic tale.