Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Gyula Orendt

Zum 150. Geburtstag des einstmaligen Publikumsschrecks stellen die Berliner Philharmoniker unter Kirill Petrenko in Die Jakobsleiter existenzielle Fragen.

Die Zauberflöte besteht in Berlin alle Prüfungen, René Pape begeistert als Sarastro besonders.

George Benjamins neue Oper beschreibt eindringlich einen durch Liebe hilflosen König – Hannigan und Degout füllen die tiefgründige Musik mit hingebungsvollem Emotionsspiel.

Aktuelle und ehemalige Stipendiaten zeigen den Erfolg des Internationalen Opernstudios Berlin auf.

Der international anerkannte Filmregisseur Wim Wenders und Daniel Barenboim geben ihr Debüt mit einer selten gespielten Oper von George Bizet.

Oper Amor vien dal destino von illustren italienischen Universaltalent Steffani erst nach 300 Jahren in Szene gesetzt, unter der Leitung von René Jacobs im Schiller Theater, Berlin.

Die Staatsoper Berlin eröffnet die Spielzeit mit einer starken Neuinszenierung der Meistersinger von Nürnberg, die der Vergangenheit Tribut zollt und gleichzeitig in die Zukunft weist.

Robert Carsen's new production of Janáček’s The Excursions of Mr Brouček for the Staatsoper Unter den Linden scores a well-deserved success thanks to a stellar – or rather, lunar – conducted by Sir Simon Rattle.

Simon McBurney sorprende al público de Les Arts con una innovadora producción de La flauta mágica. 

Mirga Gražinytė-Tyla manejó con equilibrio sonoro tanto la orquesta como el escenario y dio vida a las demandas emocionales de la magnífica obra de Weinberg.

Reuniting two old friends and collaborators, the Staatsoper Berlin presents a new production of Marc-Antoine Charpentier's Médée, with mixed results. 

Maxim Emelyanychev, the Scottish Chamber Orchestra and Chorus and a luxury cast of soloists enchant in a concert performance of The Magic Flute at the Edinburgh International Festival.

With Laurent Pelly directing, a very French evening sees a veritable feat of singing from Stéphanie d'Oustrac in La Voix humaine, followed by riotous surrealism in Les Mamelles de Tirésias.

Philipp Stölzl depicts Turandot as a tragedy of a lonely princess who pays dearly for her cruelty in his fascinating new production at the Staatsoper Berlin.

Superb singing from Joyce DiDonato and Jakub Józef Orliński lights up a curate's egg staging from Katie Mitchell.

L'Orchestre baroque de Fribourg dirigé par Sir Simon Rattle livre une interprétation formidable du chef-d'œuvre de Rameau, avec une distribution exceptionnelle jusque dans les importants rôles secondaires.

Au Festival d'Aix-en-Provence, Les Noces de Figaro sont en partie sauvées musicalement mais la mise en scène se perd dans la caricature en demi-teinte et le copier-coller thématique. 

Part of a new Da-Ponte trilogy, Le nozze di Figaro premieres online at the Staatsoper Unter den Linden Berlin

Marianne Crebassa and Maxim Mironov shine in a revival of Rossini’s masterpiece, for an evening of great fun.

Everyone is in the know in Jan Philipp Gloger's “School for Lovers”, receiving its first revival at Covent Garden. 

Excellent musical performances are confounded by clumsy, unimaginative staging in Rameau's explosive first opera.

George Benjamin and Martin Crimp's second full scale opera is a refinement of the craft showed in Written on Skin – but the lessons are less in love and violince than in power, tension and beauty of the score.

The Staatsoper's new L'incoronazione di Poppea is serious, intelligent but short on fire.

Mozart-Da Ponte, ese binomio casi divino, es garantía de éxito seguro, o al menos de una velada con lo mejor en la parte musical y teatral. Con estos mimbres, las funciones del Liceu de este mes de noviembre pasan por ser un bálsamo para los melómanos y el público que se acerca por primera vez al mundo de la lírica.

1960s kitsch set in old Seville, excellent acting and movement direction combines with strong singing and immaculate playing from the OAE to make Glyndeboune's Le nozze di Figaro a triumph.

An opening night of Così fan tutte in Munich in which Gaëlle Arquez and Marina Rebeka as the two sisters take the honours. 

Former RSC Artistic Director Michael Boyd imparts a distinctly Shakespearean flavour to Monteverdi's L'Orfeo in this first collaboration between the Royal Opera and the Roundhouse.

One thing is for sure: whether you like Baroque opera or not, you will never be bored by an opera conducted by René Jacobs. By shaking up convention with his subtle readings, sometimes even rewriting the composer’s score, the Belgian conductor is the one of those rare few who always find an elegant way to bring the repetitive mannerisms of the Baroque to life.

It’s not often that operas in English get performed in Germany, and so I was somewhat surprised to see such a large and important company as the Berliner Staatsoper taking on Stravinsky’s The Rake’s Progress.