Musically resplendent Don Carlo in Washington

Von Edward Sava-Segal, 06 März 2018

Laden, bitte warten...

Veranstaltung anzeigen

“Jamie Barton's... vocal agility and dynamic range amazed the most”

Rezensierte Veranstaltung: Kennedy Center: Opera House, Washington, am 3 März 2018

Verdi, Don Carlo(s)

Washington National Opera

Philippe Auguin, Musikalische Leitung

Tim Albery, Regie

Andrew Lieberman, Bühnenbild

Constance Hoffman, Kostüme

Eric Owens, Filippo II

Russell Thomas, Don Carlo

Quinn Kelsey, Rodrigo, Marchese di Posa

Andrea Silvestrelli, Il Grande Inquisitore

Leah Crocetto, Elisabetta di Valois

Jamie Barton, La Principessa Eboli

Washington National Opera Chorus

Washington National Opera Orchestra

Götterdämmerung weicht amerikanischer Morgenröte

Hilary Stroh, 6th May

Die Götterdämmerung schloss den Zyklus passend - und gänzlich amerikanisch - ab.

****1

Washington National Opera marches onward with a joyous Treemonisha

Sam Jacobson, 15th March

A vibrant new production of Scott Joplin’s Treemonisha at Washington National Opera underscores the opera’s enduring message of education, community and social justice.

****1

WNO's Samson et Dalila shows how sweet love's poison can sound

Sydney Boyd, 1st March

Strong singing but a stellar orchestra and staging make for a riveting production at the Kennedy Center.

****1

A #metoo Don Giovanni at Washington National Opera

Sydney Boyd, 29th February

Lots of people talk about keeping opera relevant. WNO shows why this opera always has been.

****1

Washington National Opera's merry take on Mozart's Magic Flute

Sydney Boyd, 2nd November

Could The Magic Flute be the next Nutcracker? A child-friendly take on the classic in a mash-up of pyramids and petticoats.

***11

Russell Thomas shines in gloomy David Alden's Otello

Vishnu Bachani, 26th October

The combination of a strong, spirited cast and a first-rate orchestral performance led by Daniele Callegari rendered the opera a moving experience in spite of drab staging and latent, unexplored tensions.

***11

Weitere Kritiken...

Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.