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I Lombardi alla prima crociata returns to Turin’s Teatro Regio after 93 years

Von James Imam, 23 April 2018
Laden, bitte warten...
Veranstaltung anzeigen
Rezensierte Veranstaltung: Teatro Regio di Torino, Turin, am 20 April 2018
Programm
Verdi, I lombardi alla prima crociata
Darsteller
Teatro Regio di Torino
Michele Mariotti, Musikalische Leitung
Stefano Mazzonis di Pralafera, Regie
Jean-Guy Lecat, Bühnenbild
Fernand Ruiz, Kostüme
Gabriele Mangione, Arvino
Marko Mimica, Pagano/Hermit
Maria Billeri, Giselda
Giuseppe Gipali, Oronte
Lavinia Bini, Viclinda
Alexandra Zabala, Sofia
Vladimir Jurlin, Acciano
Antonio Di Matteo, Pirro
Coro del Teatro Regio di Torino
Orchestra del Teatro Regio di Torino
Weitere Oper Kritiken
Nicht perfekt, aber unterhaltsam: L'elisir d’amore in Turin
Isabella Steppan, 22nd April
Die gestreamte Vorstellung von Donizettis Oper aus dem Teatro Regio hätte noch deutlich Luft nach oben gehabt, war aber dennoch charmant.
**111
Riccardo Muti triumphs with Un ballo in maschera in Turin
Laura Servidei, 23rd February

The Teatro Regio di Torino presents Andrea de Rosa's new production of Verdi’s operal, with a solid cast under the baton of Riccardo Muti. 

***11
The Pearl Fishers: Turin opens its operatic season
Renato Verga, 3rd October
The staging sways between tackiness and naivety, like those old Christmas cards with sequins glued to the edges of the figures.
**111
The first modern staged performance of Paër’s Agnese in Turin
Laura Servidei, 17th March
The Teatro Regio presents a Classical rarity with echoes of Mozart and anticipations of Rossini. Diego Fasolis conducts with imagination and spunk.
***11
In Turin's Trovatore, the women carry the day
Renato Verga, 10th October
Female voices dominate in the vocal cast: Rachel Willis-Sørensen debuts as Leonora and charms the audience; Anna Maria Chiuri has the temperament and rich vocality requested by the role of the gypsy.
***11
A strong Italian cast for Così fan tutte in Turin
Laura Servidei, 1st July
Diego Fasolis gives an enlightened, 18th-century account of the Mozart/da Ponte masterpiece, with great precision and elegance.
****1
Weitere Kritiken...
Kritiken von
Alex EspositoAlexandra ZabalaAngela MeadeAntonio Di MatteoCoro del Teatro Regio di TorinoFernand RuizFrancesco MeliGabriele MangioneGiuseppe GipaliGiuseppe VerdiI lombardi alla prima crociataJean-Guy LecatLavinia BiniMarko MimicaMichele MariottiOrchestra del Teatro Regio di TorinoStefano Mazzonis di PralaferaTeatro Regio di Torino
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James Imam
James Imam
James Imam is an arts journalist writing for publications including The Financial Times, The Times, Musical America and Opera magazine. He grew up in Manchester, read anthropology at Cambridge and has since lived in Milan. As a once-aspiring countertenor he has an abiding interest in Baroque music.