Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Alex Esposito

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***11

Wien

16 Dez 2024

Mit dem Metronom: Les Contes d'Hoffmann an der Wiener Staatsoper

Von Snapdragon

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Wien

Leider nur ganz kleines Kino: Der Freischütz am MusikTheater an der Wien

Von Norman Schwarze, 24 März 2023

David Morton stößt mit seiner filmlastigen Inszenierung von Carl Maria von Webers Oper auf das Missfallen des Wiener Publikums und wird gnadenlos ausgebuht.

*1111

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*1111

Wien

24 Mär 2023

Leider nur ganz kleines Kino: Der Freischütz am MTadW

Von Norman Schwarze

Wien

Don Giovanni im Paralleluniversum am Theater an der Wien

Von Isabella Steppan, 24 September 2019

Konzertant angekündigt und dreiviertelszenisch umgesetzt begeistert Mozarts Oper das Publikum.

****1

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Wien

24 Sep 2019

Don Giovanni im Paralleluniversum am Theater an der Wien

Von Isabella Steppan

Gipfel der Opernkunst: Albina Shagimuratova als Semiramide an der Bayerischen Staatsoper

Von Benedikt Zacher, 10 Juni 2018

Die russische Sopranistin weiß das Münchner Publikum vom ersten bis zum letzten Ton in der Wiederaufnahme von David Aldens Inszenierung zu fesseln.

*****

*****

München

10 Jun 2018

Gipfel der Opernkunst: Albina Shagimuratova als Semiramide

Von Benedikt Zacher

Mozart im Wunderland: Le nozze di Figaro an der Bayerischen Staatsoper

Von Norman Schwarze, 31 Oktober 2017

In einer nüchternen Inszenierung hat Christof Loy versucht, in Mozarts Le nozze di Figaro vor allem musikalisch neue Akzente zu setzen.

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München

31 Okt 2017

Mozart im Wunderland: Le nozze di Figaro in München

Von Norman Schwarze

Making Babylon great again: DiDonato glänzt in musikalisch spektakulärer Semiramide in München

Von Laura Servidei, 18 Februar 2017

Rossinis Meisterwerk wird in David Aldens moderner Neuproduktion von einem beseelten Dirigenten und vier erstklassigen Sängern zum Leben erweckt.

*****

*****

München

18 Feb 2017

Making Babylon great again: Semiramide in München

Von Laura Servidei

Mozart zum Zurücklehnen: unterhaltsamer Figaro an der Bayerischen Staatsoper

Von David Renke, 20 November 2016

Dieter Dorns 1997er Inszenierung bietet gute Unterhaltung, kann aber mit dem Starensemble um Diana Damrau nicht mithalten.

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München

20 Nov 2016

Mozart zum Zurücklehnen

Von David Renke

Wiederaufnahme von Stephan Kimmigs Don Giovanni in München

Von Freya Apffelstaedt, 17 Januar 2016

Die Bayerische Staatsoper zeigt erneut die umstrittene Don Giovanni-Inszenierung von Stephan Kimmig aus dem Jahr 2009.

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München

17 Jan 2016

Kimmigs Don Giovanni

Von Freya Apffelstaedt

Lebemann im Goldgewand - Mozarts Don Giovanni an der Bayerischen Staatsoper

Von David Renke, 10 Januar 2015

Was haben eine betrogene Backpackerin, ein nackter Alter, ein prolliger Frauenheld und ein düsterer Containerbahnhof mit Mozarts Oper Don Giovanni gemeinsam? Nicht viel. Stefan Kimmigs Inszenierung an der Bayerischen Staatsoper ist sehr modern und hinterlässt den Zuschauer ratlos – im Gegensatz zum hervorragenden Ensemble.

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München

10 Jan 2015

Lebemann im Goldgewand

Von David Renke

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Valencia

Les Arts entra pisando fuerte con un Faust absurdista e iconoclasta

Von Daniel Martínez Babiloni, 03 Oktober 2025

Brillante inicio de curso en Les Arts y triunfo de Lorenzo Viotti en su debut español.

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Valencia

03 Okt 2025

Les Arts entra pisando fuerte con un Faust absurdista e iconoclasta

Von Daniel Martínez Babiloni

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Rome

Lucrezia Borgia: a dark feast in Rome

Von Pia Maltri, 16 Februar 2025

Valentina Carrasco's contemporary staging, with impressive sets and singing, makes for a remarkable show at the Teatro dell'Opera.

*****

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*****

Rome

16 Feb 2025

Lucrezia Borgia: a dark feast in Rome

Von Pia Maltri

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A feast for eyes and ears: Damiano Michieletto’s new Tales of Hoffmann at The Royal Opera

Von David Karlin, 07 November 2024

With gloriously inventive sets and costumes, Alex Esposito’s splendid Four Villains drive a wonderfully entertaining new production.

*****

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*****

London

07 Nov 2024

A feast for eyes and ears: Michieletto’s new ROH Hoffmann

Von David Karlin

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Paris

Le docteur Faust de mister Kratzer s’éparpille à l’Opéra de Paris

Von Erwan Gentric, 26 September 2024

Si la mise en scène de Tobias Kratzer n'est pas dépourvue d'incohérences, elle réserve tout de même de grands moments de spectacle. Et la distribution tient son rang, emmenée par un grand Pene Pati.

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Paris

26 Sep 2024

Le docteur Faust de mister Kratzer s’éparpille à l’Opéra de Paris

Von Erwan Gentric

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Naples

I vespri siciliani in Naples: a revolt against the Mafia

Von Lorenzo Fiorito, 21 Januar 2024

In the Italian version of Verdi's French grand opéra, Emma Dante updates the action from 1282 to the organised crime of the Sicilian Mafia.

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Naples

21 Jan 2024

I vespri siciliani in Naples: a revolt against the Mafia

Von Lorenzo Fiorito

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Paris

Le drôle de Don Giovanni de Claus Guth à l'Opéra Bastille

Von Erwan Gentric, 13 September 2023

Excellents en Don Giovanni et Leporello, Peter Mattei et Alex Esposito s'illustrent dans une mise en scène convaincante de Claus Guth, malgré un penchant pour le giocoso au détriment du dramma. La direction d'Antonello Manacorda déçoit.

***11

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Paris

13 Sep 2023

Le drôle de Don Giovanni de Claus Guth à l'Opéra Bastille

Von Erwan Gentric

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Madrid

Il turco in Italia en el Real: un purísimo Rossini en los sesenta

Von David Santana Cañas, 31 Mai 2023

Laurent Pelly traslada el divertido Il turco in Italia a los años sesenta en una producción que cuenta con unas voces puramente rossinianas.

****1

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Madrid

31 Mai 2023

Il turco in Italia en el Real: un purísimo Rossini en los sesenta

Von David Santana Cañas

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Lyon

Moïse et Pharaon réussissent la traversée Aix-en-Provence – Lyon

Von Irma Foletti, 24 Januar 2023

Après sa présentation au Festival d'Aix-en-Provence l'été dernier, la mise en scène de Tobias Kratzer fait ses débuts sur la scène lyonnaise, avec la même réussite.

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Lyon

24 Jan 2023

Moïse et Pharaon réussissent la traversée Aix-en-Provence – Lyon

Von Irma Foletti

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Bergamo

A tutor in a jam! L’ajo nell’imbarazzo at the Donizetti Opera Festival

Von Laura Servidei, 20 November 2022

Alex Esposito and Alessandro Corbelli lead a young cast in an early opera buffa by Donizetti, in a new production, with mixed results, by Francesco Micheli.

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Bergamo

20 Nov 2022

A tutor in a jam at the Donizetti Opera Festival!

Von Laura Servidei

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Valencia

Dos reinas lastradas: Anna Bolena en Les Arts

Von Juan José Freijo, 01 Oktober 2022

Un producción que, aunque cuenta con escenas magníficamente cantadas, resulta entorpecida por elementos escénicos y musicales con escaso acierto dramático.

***11

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Valencia

01 Okt 2022

Dos reinas lastradas: Anna Bolena en Les Arts

Von Juan José Freijo

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Méphistophélès returns to the stage in Gounod’s Faust at La Fenice!

Von Laura Servidei, 30 April 2022

The Teatro La Fenice reprises Joan Anton Rechi’s production in its full stage version, less inspiring than the one expanded through the whole theatre during Covid times.

***11

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Venedig

30 Apr 2022

Méphistophélès returns to the stage in Gounod’s Faust at La Fenice!

Von Laura Servidei

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Mailand

Celebrating La Scala: Robert Carsen’s Don Giovanni returns

Von Laura Servidei, 02 April 2022

Robert Carsen’s imaginative 2011 production of Mozart’s masterpiece is revived in Milan with an excellent cast led by Christopher Maltman.

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Mailand

02 Apr 2022

Celebrating La Scala: Robert Carsen’s Don Giovanni returns

Von Laura Servidei

Geneva

À Genève, Anna Bolena ne muscle pas assez son jeu

Von Romain Daroles, 26 Oktober 2021

Pour l'entrée au répertoire d'Anna Bolena à Genève, seul l'orchestre semble véritablement tirer son épingle d'un jeu belcantiste face à un plateau vocal et une proposition scénique en demi-teinte.

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Geneva

26 Okt 2021

À Genève, Anna Bolena ne muscle pas assez son jeu

Von Romain Daroles

La Fenice transformed into a cathedral for Joan Antón Rechi's vision of Gounod's Faust

Von Renato Verga, 03 Juli 2021

The real sensation of the evening was Alex Esposito – this time, Gounod's Faust should have been titled Méphistophélès...

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Venedig

03 Jul 2021

La Fenice transformed into a cathedral for Gounod's Faust

Von Renato Verga

A requiem to honour the dead in Venice: Claus Peter Flor conducts Mozart

Von Alexander Hall, 02 April 2021

Claus Peter Flor directs La Fenice forces with a fine quartet of soloists in the Requiem by Mozart that somewhat unjustifiably carries the composer's name, prefaced by a companion-piece motet.

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Venedig

02 Apr 2021

A requiem to honour the dead in Venice

Von Alexander Hall

Mailand

Even more cynical than Così! A new Turco in Italia at La Scala

Von Laura Servidei, 22 Februar 2020

Diego Fasolis conducts a great cast, led by Alex Esposito and Rosa Feola in a new production of Rossini’s masterpiece by Roberto Andò.

****1

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Mailand

22 Feb 2020

Even more cynical than Così! A new Turco in Italia at La Scala

Von Laura Servidei

Beware Posa! A black, bleak Don Carlo opens season at La Fenice

Von Laura Servidei, 30 November 2019

Maestro Myung-Whun Chung leads an almost all-Italian cast in an impressive performance of Verdi’s most ambiguous masterpiece.

*****

*****

Venedig

30 Nov 2019

Beware Posa! A black, bleak Don Carlo opens season at La Fenice

Von Laura Servidei

Naples

The Tales of Hoffmann are beautifully told in Naples

Von Lorenzo Fiorito, 17 März 2019

One of Teatro San Carlo’s most cherished productions of recent years, with an excellent cast of singers and a director who steered at his ease into the libretto’s erratic changes of mood and atmosphere.

*****

*****

Naples

17 Mär 2019

The Tales of Hoffmann are beautifully told in Naples

Von Lorenzo Fiorito

Rome

A great cast for Anna Bolena at the Teatro dell'Opera di Roma

Von Laura Servidei, 24 Februar 2019

Riccardo Frizza conducts a complete version of Donizetti’s masterpiece, with the debuts of Maria Agresta in the title role, Carmela Remigio as Giovanna Seymour and René Barbera as Percy.

****1

****1

Rome

24 Feb 2019

A great cast for Anna Bolena in Rome

Von Laura Servidei

Berlin

A Mixed Evening at Deutsche Oper Berlin's new Les Contes d'Hoffmann

Von Ako Imamura, 15 Dezember 2018

Deutsche Oper Berlin staged an ambitious production by Laurence Pelly with mixed results. The performance included new discoveries and young singers brought fresh energy to the evening.

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Berlin

15 Dez 2018

Mixed Evening at Deutsche Oper Berlin's new Les Contes d'Hoffmann

Von Ako Imamura

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A regal, integral version of Semiramide in Venice

Von Laura Servidei, 21 Oktober 2018

La Fenice presents Rossini’s monumental farewell to Italy and to 18th-century tradition in Ligorio’s elegant new production with a superb cast.

*****

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*****

Venedig

21 Okt 2018

A regal, integral version of Semiramide in Venice

Von Laura Servidei

Macerata

Michieletto's L'elisir d'amore finds its ideal setting at the Macerata Festival

Von James Imam, 21 Juli 2018

With unbridled imagination, Michieletto fills this usually-problematic space with a wealth of racy detail.

*****

*****

Macerata

21 Jul 2018

L'elisir d'amore finds an ideal setting at Macerata

Von James Imam

Naples

From darkness to light for Rossini's Mosè in Egitto in Naples

Von Lorenzo Fiorito, 15 März 2018

David Pountney’s 2014 staging was revived in Naples with good singing and empathetic conducting.

****1

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Naples

15 Mär 2018

From darkness to light: Mosè in Egitto in Naples

Von Lorenzo Fiorito

Rome

Dark humour: Michieletto and Gatti provide an adventurous La Damnation de Faust

Von James Imam, 14 Dezember 2017

Michieletto's production for the Teatro dell'Opera in Rome is fresh, intelligent and destined to go down as one of his best.

****1

****1

Rome

14 Dez 2017

An adventurous La Damnation de Faust in Rome

Von James Imam

Giant haystacks: Pelly's sunny L'elisir d'amore romps back to Covent Garden

Von Mark Pullinger, 27 Mai 2017

This was meant to be Pretty Yende's night, but it was Armenian tenor Liparit Avetisyan who stole hearts as country bumpkin Nemorino.

****1

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London

27 Mai 2017

Giant haystacks: Pelly's sunny L'elisir d'amore

Von Mark Pullinger

Mailand

Rossini’s Thieving Magpie doesn’t quite take flight at La Scala

Von Mark Pullinger, 12 April 2017

La gazza ladra celebrates its 200th anniversary with a new production at La Scala, an earthbound effort from director Gabriele Salvatores, but it was Riccardo Chailly who drew the wrath of sections of the Milanese audience.

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Mailand

12 Apr 2017

Thieving Magpie doesn’t quite take flight at La Scala

Von Mark Pullinger

Amsterdam

Choice cast in bonbon-box Marriage of Figaro at Dutch National Opera

Von Jenny Camilleri, 06 September 2016

The singing is the main attraction in Dutch National Opera’s Le nozze di Figaro, but this new production is also entertaining and looks good enough to eat.

****1

****1

Amsterdam

06 Sep 2016

Bonbon-box Marriage of Figaro at DNO

Von Jenny Camilleri

Toulouse

Comme un air de déjà vu pour un Faust de clôture

Von Arnaud Saura-Ziegelmeyer, 22 Juni 2016

La production reprenait mise en scène, décors et costumes de la création toulousaine 2008-2009 amenée à l’époque par Michel Plasson et Nicolas Joel, et qui avait connu un succès certain, des Chorégies d’Orange à la ville rose. La part d’inconnue résidait surtout dans le plateau et l’individualité des voix.

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Toulouse

22 Jun 2016

Comme un air de déjà vu pour un Faust de clôture

Von Arnaud Saura-Ziegelmeyer

In praise of strong women: Holten's Don Giovanni returns to the Royal Opera

Von David Karlin, 16 Juni 2015

Kasper Holten's virtuosic staging is revived by the Royal Opera with a cast of three exceptionally strong women, and accomplished performances by Christopher Maltman and Alex Esposito as the Don and his servant.

****1

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London

16 Jun 2015

Holten's Don Giovanni: In praise of strong women

Von David Karlin

Wien

Comedy in the madhouse: A risky twist on Mozart's Le nozze di Figaro at Theater an der Wien

Von Chanda VanderHart, 13 April 2015

“Acting is the expression of a neurotic impulse. It’s a bum’s life,” stated the late, great Marlon Brando. Felix Breisach took this idea to heart when staging his modernized Figaro in a mental institution.

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Wien

13 Apr 2015

Comedy in the madhouse: A risky twist on Mozart's Le nozze di Figaro

Von Chanda VanderHart

Rossini's Turco in Munich: sometimes funny, but deeply flawed

Von Ilana Walder-Biesanz, 28 November 2014

There's much to recommend this Turco, including stunning vocal fireworks by Olga Peretyatko and moments of comedic gold in the staging. But this production also reinforces some ugly racial and gender stereotypes.

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München

28 Nov 2014

Turco in Munich: funny, but deeply flawed

Von Ilana Walder-Biesanz

McVicar’s subtle take Le nozze di Figaro returns to ROH

Von Francesca Vella, 02 Mai 2014

David McVicar's production of Mozart's Le nozze di Figaro returns for its sixth revival at the Royal Opera House, the refinement of the production matched, almost at all times, by the performances.

****1

****1

London

02 Mai 2014

McVicar’s subtle take Le nozze di Figaro returns to ROH

Von Francesca Vella

Oslo

The night of the two Hoffmänner: The Tales of Hoffmann at the Norwegian National Opera

Von Aksel Tollåli, 04 Dezember 2013

Calixto Bieito's The Tales of Hoffmann at the Norwegian National Opera contains some very effective and at times striking moments, but the production turned out something of a disappointment overall.

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Oslo

04 Dez 2013

Norwegian National Opera: The Tales of Hoffmann

Von Aksel Tollåli

La Cenerentola at the Bavarian State Opera

Von Max Woods, 07 Juni 2012

Shortly after Rossini's success with The Barber of Seville came La Cenerentola, a reworking of the Cinderella fairy tale, but with a little less magic, and a lot more worldly comedy. It was an instant success and further established the 25-year-old Rossini as one of the greatest Italian opera composers of his day.

**111

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München

07 Jun 2012

La Cenerentola at the Bavarian State Opera

Von Max Woods

Schrott thrills in a mixed Don Giovanni

Von David Karlin, 16 Februar 2012

It's the most spectacular entrance in opera: the giant stone statue bursts in to join Don Giovanni at the dinner table; a pair of sweeping downward octave swoops in D minor fills the audience (and the hapless Leporello) with terror at the rake's imminent descent into hell.OK, that was a spoiler, but then we all know the story: a production of Don Giovanni is all about how you tell it.

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