Upstairs Downstairs comedy in Washington

Von Hilary Stroh, 23 September 2016

Laden, bitte warten...

Veranstaltung anzeigen

“Amanda Majeski... spun clear and beautiful melodies, with sensitive gradations of volume”

Rezensierte Veranstaltung: Kennedy Center: Opera House, Washington, am 22 September 2016

Mozart, Le nozze di Figaro (Die Hochzeit des Figaro)

Washington National Opera

James Gaffigan, Musikalische Leitung

Peter Kazaras, Regie

Benoît Dugardyn, Bühnenbild

Myung Hee Cho, Kostüme, Bühnenbild

Joshua Hopkins, Graf Almaviva

Amanda Majeski, Gräfin Almaviva

Ryan McKinny, Figaro

Lisette Oropesa, Susanna

Aleks Romano, Cherubino

Valeriano Lanchas, Doktor Bartolo

Elizabeth Bishop, Marcellina

Rexford Tester, Don Curzio

Keith Jameson, Don Basilio

Timothy J. Bruno, Antonio

Ariana Wehr, Barbarina

Mark McCullough, Licht

Kevin Williamson, Tanz

Washington National Opera Orchestra

Götterdämmerung weicht amerikanischer Morgenröte

Hilary Stroh, 6th May

Die Götterdämmerung schloss den Zyklus passend - und gänzlich amerikanisch - ab.

****1

Washington National Opera marches onward with a joyous Treemonisha

Sam Jacobson, 15th March

A vibrant new production of Scott Joplin’s Treemonisha at Washington National Opera underscores the opera’s enduring message of education, community and social justice.

****1

WNO's Samson et Dalila shows how sweet love's poison can sound

Sydney Boyd, 1st March

Strong singing but a stellar orchestra and staging make for a riveting production at the Kennedy Center.

****1

A #metoo Don Giovanni at Washington National Opera

Sydney Boyd, 29th February

Lots of people talk about keeping opera relevant. WNO shows why this opera always has been.

****1

Washington National Opera's merry take on Mozart's Magic Flute

Sydney Boyd, 2nd November

Could The Magic Flute be the next Nutcracker? A child-friendly take on the classic in a mash-up of pyramids and petticoats.

***11

Russell Thomas shines in gloomy David Alden's Otello

Vishnu Bachani, 26th October

The combination of a strong, spirited cast and a first-rate orchestral performance led by Daniele Callegari rendered the opera a moving experience in spite of drab staging and latent, unexplored tensions.

***11

Weitere Kritiken...

Hilary Stroh

Hilary is an independent scholar and academic historian, based in DC. She has a background in violin, piano and ballet. Educated at Dublin and Cambridge, she has recently published her first two books.

Upstairs Downstairs comedy: Figaro opens Washington's season