A beautiful Midsummer Night's Dream ends NYCB's spring season

Daniel Ulbricht (Oberon) and Taylor Stanley (Puck)

Daniel Ulbricht (Oberon)

Unity Phelan (Titania)

Unity Phelan (Titania) and Gilbert Bolden (Bottom)

Emily Kikta (Hippolyta)

Von Ivy Lin, 22 Mai 2022

Laden, bitte warten...

Veranstaltung anzeigen

“a ballet that brings joy to audiences year in, year out”

Rezensierte Veranstaltung: Lincoln Center: David H Koch Theater, New York City, am 22 Mai 2022

A Midsummer Night's Dream (George Balanchine)

New York City Ballet

Unity Phelan, Tanz

Gilbert Bolden III, Tanz

Daniel Ulbricht, Tanz

Taylor Stanley, Tanz

Mira Nadon, Tanz

Emilie Gerrity, Tanz

Harrison Coll, Tanz

Alec Knight, Tanz

Emily Kikta, Tanz

Indiana Woodward, Tanz

Andrew Veyette, Tanz

Viel Vergangenheit: Liebeslieder am Wiener Staatsballett

Rainer Zerbst, 14th January

Von Brahms und Balanchine bis Górecki und Childs: das Wiener Staatsballet zeigt einen zeitlosen Abend.

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Bachmann, Mahler, Goecke: Tanztraumpremiere am Wiener Staatsballett

Michael Klier, 14th November

Die vier Tänzerinnen und sieben Tänzer zittern, ihre Arme, Schultern und Hände kratzen, flattern und schluchzen in oft eckigem Gestus und doch sind alle Bewegungen im Fluss.

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Spitzengefühl und neoklassischer Ansatz

Katja Vaghi, 4th May

Die neue Premiere des Staatsballetts spannt einen Bogen über die neuere Tanzgeschichte des 20. und 21. Jahrhunderts.

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Mira Nadon’s sparkling debut in Firebird with New York City Ballet

Ivy Lin, 25th April

A triple bill comprising Balanchine's Symphony in C, Agon and Firebird could not have been more inspiringly danced by New York City Ballet.

*****

Ballet for cowboys and soldiers at Kansas City Ballet

Hilary Stroh, 20th March

Kansas City Ballet celebrate the USA’s 250th anniversary with three American ballets. Balanchine's Stars and Stripes, de Mille's Rodeo and a new work by Caili Quan, A Home Away.

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American Ballet Theatre's double bill is short and sweet in New York

Ivy Lin, 15th March

American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.

****1

Weitere Kritiken...

Ivy Lin

Ivy Lin's love of ballet began in high school when at the school dance she quickly realized she had two left feet. One always admires things one cannot do, and so Ivy began to attend dance performances to marvel at the grace and beauty of bodies in motion. Ivy's day job is a biology teacher and after a long day in the classroom she loves to unwind by watching dance. She also enjoys theater, opera, pop and classical music. Ivy has her own blog (www.humbledandoverwhelmed,blogspot.com)

A beautiful Midsummer Night's Dream ends New York City Ballet's spring season