Riccardo Muti takes the Chicago Symphony to his beloved Italy

Riccardo Muti and the Chicago Symphony Orchestra

Riccardo Muti conducts the Chicago Symphony Orchestra in Carnegie Hall

Von Edward Sava-Segal, 06 Oktober 2023

Laden, bitte warten...

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“an excellent vehicle for showcasing the essential traits of Muti’s style”

Rezensierte Veranstaltung: Carnegie Hall: Stern Auditorium, New York City, am 5 Oktober 2023

Glass, The Triumph of the Octagon (New York première)

Mendelssohn Bartholdy, Symphonie Nr. 4 in A-Dur, "Italienische", Op.90

Strauss R., Aus Italien, Op.16

Verdi, Giovanna d'Arco (Joan of Arc): Overture

Chicago Symphony Orchestra

Riccardo Muti, Musikalische Leitung

Riccardo Muti und das Chicago Symphony Orchestra auf Abschiedstournee

Alexandra Richter, 19th January

Riccardo Muti, Chicagos Music Director Emeritus auf Lebenszeit, präsentiert in der Alten Oper Frankfurt ein italienisches Programm, das es in sich hat.

*****

Viel Bewegung mit Strauss und Tschaikowsky

Stefan Pillhofer, 15th January

Im Rahmen des noch andauernden Eröffnungsfestivals gastierte das Chicago Symphony Orchestra mit Tschaikowsky, der einen aus den Sitzen holt.

****1

Chicago Symphony Orchestra music on death: whimper then bang

Graham Meyer, 9th April

Jakub Hrůša leads the CSO in pedestrian Janáček and Rachmaninov, but Strauss's Four Last Songs and Wagner's Tristan excerpts send audiences home deeply touched.

***11

Klaus Mäkelä is speaking... Chicago is listening

Graham Meyer, 19th February

The Chicago Symphony Orchestra's Music Director Designate juxtaposes his Finnish countryman's music on their shared national epic, the Kalevala, with the heroic life limned in the tone poem of Richard Strauss.

****1

Matthew Aucoin’s Song of the Reappeared premieres in Chicago

Graham Meyer, 4th December

A strong world premiere of Aucoin's evocative and immediate Song of the Reappeared, a concerto for voice written for soprano Julia Bullock which sets vivid imagery by a poet who suffered under authoritarianism.

*****

Manfred Honeck brings his über-dramatic Mozart Requiem to Chicago

Graham Meyer, 20th November

The Austrian conductor's loudest fortes and softest pianos pull together a dramatic arc from the Requiem, other Mozart works and chant. But it's not really a funeral.

****1

Weitere Kritiken...

Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.

A Grand Tour: Riccardo Muti takes the Chicago Symphony to his beloved Italy