New York City Ballet kicks off its spring season

Von Ivy Lin, 24 April 2019

Laden, bitte warten...

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“that Ratmansky quality of being both very Russian and universal at the same time”

Rezensierte Veranstaltung: Lincoln Center: David H Koch Theater, New York City, am 23 April 2019

Bilder einer Ausstellung (Alexei Ratmansky)

Oltremare (Mauro Bigonzetti)

Rodeo: Four Dance Episodes (Justin Peck)

New York City Ballet

Indiana Woodward, Tanz

Brittany Pollack, Tanz

Tyler Angle, Tanz

Georgina Pazcoguin, Tanz

Daniel Ulbricht, Tanz

Peter Walker, Tanz

Andrew Veyette, Tanz

Anthony Huxley, Tanz

Gonzalo Garcia, Tanz

Sara Mearns, Tanz

Russell Janzen, Tanz

New York City Ballet Orchestra

Das Bayerische Staatsballett in Ratmanskys Paquita

Joy Wang Xin Yuan, 4th July

Mit Alexei Ratmanskys Wiederaufnahme von Petipas Paquita bietet das Bayerische Staatsballett eine faszinierende Zeitreise.

****1

American Ballet Theatre's double bill is short and sweet in New York

Ivy Lin, 15th March

American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.

****1

A spectacular triple bill lifts ABT’s spring season in New York

Leigh Donlan, 13th March

A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

****1

NYCB: Ratmansky’s The Naked King is not satire, but good fun

Ivy Lin, 7th February

New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.

****1

NYCB: Balanchine + Ratmansky program warms the audience

Ivy Lin, 20th January

NYCB has a winning triple bill with its Balanchine + Ratmansky program. Excellent dancing and contrasting works sends the audience home in buoyant mood.

*****

Dutch National Ballet's opener in New York: meandering and unfocused

Ivy Lin, 20th November

Dutch National Ballet returning to New York after more than 40 years should have been thrilling. The opening program, whilst beautifully danced, was somewhat muted.

***11

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Ivy Lin

Ivy Lin's love of ballet began in high school when at the school dance she quickly realized she had two left feet. One always admires things one cannot do, and so Ivy began to attend dance performances to marvel at the grace and beauty of bodies in motion. Ivy's day job is a biology teacher and after a long day in the classroom she loves to unwind by watching dance. She also enjoys theater, opera, pop and classical music. Ivy has her own blog (www.humbledandoverwhelmed,blogspot.com)

New York City Ballet kicks off its spring season with a 21st-century triple bill