Zubin Mehta and Chen Reiss reunited for Mozart at La Scala, Milan

Von Alexander Hall, 07 Februar 2021

Laden, bitte warten...

Veranstaltung anzeigen

“an ideal display vehicle for Reiss' honey-toned voice, mixing warm lyricism with fiery temperament”

Rezensierte Veranstaltung: Teatro alla Scala, Mailand, am 6 Februar 2021

Beethoven, Coriolan-Ouvertüre, Op.62

Mozart, Sopranarie "Chi sà, chi sà, qual sia", KV582

Mozart, Sopranarie "Voi avete un cor fedele", KV217

Schubert, Symphonie Nr. 8 in C-Dur "Die Große", D.944

Chen Reiss, Sopran

Orchestra del Teatro alla Scala

Zubin Mehta, Musikalische Leitung

Zwischen Symbolismus und Partyrealität: Salome an der Mailänder Scala

Rainer Zerbst, 20th February

Damiano Michieletto schafft eine Inszenierung, die den Betrachter auch nach Ende der Oper nicht ruhen lässt.

*****

Engel und Dämonen: Giovanna d'Arco an der Scala

David Karlin, 18th December

Verdis Fassung der Jeanne d'Arc-Geschichte mag dünn im Drama sein, doch herausragende musikalische Leistungen von Riccardo Chailly und dem Orcherster der Scala, Netrebko, Meli und Álvarez sorgen für einen wunderbaren Verdi-Abend.

****1

Romeo Castellucci directs a new Pelléas et Mélisande at La Scala

Laura Servidei, 26th April

The Italian director makes his long-awaited Italian operatic debut at the Teatro alla Scala in a production which perfectly mirrors Debussy’s most enigmatic creation.

****1

Diamonds and steel: Anna Pirozzi rules in La Scala’s Turandot revival

Laura Servidei, 12th April

Visually enchanting and meticulously staged, this centenary revival confirms Livermore's production as a modern classic.

****1

The Ring returns to the Rhine: Götterdämmerung at La Scala

Laura Servidei, 1st February

Under Alexander Soddy’s powerful conducting and Sir David McVicar’s dark, evocative staging, the Ring finds a searing conclusion, anchored by a powerful Brünnhilde from Camilla Nylund, as the world burns.

*****

Nureyev’s Sleeping Beauty at La Scala is pure magic

Elsa Giovanna Simonetti, 21st December

Rudolf Nureyev’s production of The Sleeping Beauty is still a magnificent showcase for La Scala after nearly 60 years.

*****

Weitere Kritiken...

Alexander Hall

Alexander Hall divides his time between London and Hamburg, where he had a career in academic administration and teaching. He reviews for Bachtrack and Opera Today, and has also reviewed for Classical Source. A connoisseur of the great orchestras of the world, his musical memories stretch back to Karajan/Berlin Phil, Mravinsky/Leningrad Phil, Bernstein/Vienna Phil, and he has seen most of the great conductors from the past, including Böhm, Klemperer, Kubelik, Ormandy and Szell.