Jaap van Zweden signals new rituals for the Philharmonic

Par Jennifer Gersten, 22 septembre 2018

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“a war waged on hobby-horses with triumphant winds as spectators”

Critique faite à Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York, le 20 septembre 2018

Fure, Filament

Ravel, Concerto pour piano en sol

Debussy, Images, Série 1 no. 1: Reflets dans l'eau, pour piano

Stravinsky, Le Sacre du printemps

New York Philharmonic

Jaap van Zweden, Direction

Daniil Trifonov, Piano

Rebekah Heller, Basson

Nate Wooley, Trompette

Brandon Lopez, Contrebasse

Constellation Chor

À New York, Daniil Trifonov réinvente le Concerto de Schumann

Jean-Pierre Rousseau, 12th October

Au côté du New York Philharmonic, le pianiste russe propose une interprétation extraordinairement riche de l'œuvre de Schumann. Sous la direction de Mirga Gražinytė-Tyla, la partie symphonique du programme a moins convaincu.

***11

Le New York Philharmonic à Paris

Christophe Dilys, 26th April

Programme de musiques de danse interprété par le New York Philharmonic : Stravinsky, Debussy et Bartók pour un dimanche après-midi parfait !

*****

Barbara Hannigan makes a powerful connection in La Voix humaine

Thomas May, 23rd April

The Canadian soprano and conductor fuses live performance and video in a taut, volatile account of Poulenc’s punch-packing monodrama with the New York Philharmonic, sharing the bill with Strauss’ valedictory Metamorphosen.

****1

A vocally perplexing economics assignment from David Lang

No’a L. bat Miri, 19th March

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

***11

Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

****1

Contours in motion: Kavakos and Rouvali at the New York Philharmonic

Edward Sava-Segal, 20th February

Bartók and Rachmaninov are shaped through rhythmic precision and structural concentration in the New York Philharmonic's latest subscription concert.

****1

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Jennifer Gersten

Jennifer Gersten is a freelance writer, editor, and violinist from Queens, NY. She is an assistant managing editor at Guernica and has published work in WQXR, NPR Music, and The Toledo Blade. Jennifer studied English and creative writing at Yale and is currently pursuing a master's in violin performance at Stony Brook University.

Jaap van Zweden signals new rituals for the New York Philharmonic