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With a standout cast, fine orchestral playing under Carlo Rizzi, and newly refurbished sets, Zeffirelli’s 1987 staging of Puccini’s epic fairy tale appears as bright as ever.

Lydia Steier stages Strauss’ masterpiece to open Zurich Opera’s first premiere under the new artistic direction – a triumphant success. 

The – much belated – world premiere of Blitzstein's 1929 one-act opera is paired with Bernstein's Second Symphony, performed by the Norrköping Symphony Orchestra. 

Rosetta Cucchi jumps on the bandwagon with a shallow production of L’italiana in Algeri, although Daniela Barcellona’s charisma and vocal prowess dominates the scene.

Rossini’s first staged opera, La cambiale di matrimonio, in a spirited production by Laurence Dale, paired with his late work Les soirées musicales in a successful performance.

A production where vocal brilliance battles directorial gimmicks in Pesaro, with a superb cast led by Anastasia Bartoli and Lawrence Brownlee.

Aucoin, librettist Jorie Graham and director Peter Sellars make New Bodies more a haunting mood piece than a cautionary tale for the American Modern Opera Company.